Sound of Metal
Ruben (Riz Ahmed) and Lou (Olivia Cooke) live together, two nomads traveling gig to gig on an endless American tour. Their music is loud, frenzied and passionate, until one day Ruben is overwhelmed by a severe ringing in his ears, which quickly gives way to deafness. Ruben is suddenly overcome by anxiety, depression, and soon enough his past addictions begin to surface. Ruben checks himself into a home for deaf addicts run by an eccentric deaf veteran, Joe.
In this world of silence and under Joe’s tough, observant care, Ruben must confront himself more honestly than ever before. But the love and sound of his old life echoes in Ruben’s mind, calling for him to return.
“Ahmed is superb in this impactful drama which explores attitudes towards and questions about disability” – Screen Daily
She is small, but dangerous. Wherever Benni ends up, she is immediately expelled.
The wild 9-year-old girl has already become what child protection services call a “system crasher” and she is certainly not looking to change her ways.
Benni has one single goal: to be back at home with her mommy! Unfortunately, her mother is scared of her own daughter. Trying to find a permanent placement for Benni, Child Protection Services hires Micha, an anger management trainer and suddenly there is a seed of hope. Will Micha be able to succeed where all others despaired?
Film Hub Wales members: You can watch a screener of System Crasher in our Preview Room section here.
In the lead role, young Helena Zengel is mightily impressive, showing the natural depth of a born actress as she pours her energy into System Crasher” – The Hollywood Reporter
Peanut Butter Falcon
The Peanut Butter Falcon is a modern Mark Twain-
esque adventure starring Shia LaBeouf (American Honey, Fury) as a small-time outlaw turned unlikely coach who joins forces with Zak, a young man with Down Syndrome on the run from a nursing home with the dream of becoming a professional wrestler. Dakota Johnson (Suspiria, Fifty Shades of Grey) stars as Zak’s loving, but stubborn, carer.
Utøya – Gorffennaf 22
Ar 22 Gorffennaf 2011 ymosododd eithafwr arfog, asgell dde ar fwy na 500 o bobl ifanc mewn gwersyll haf gwleidyddol ar ynys y tu allan i Oslo. Yn gynharach y diwrnod hwnnw bomiodd adeilad y Llywodraeth yn Oslo cyn gwneud ei ffordd i ynys Utøya. Yn y ffilm ffuglennol gyntaf hon am yr ymosodiad rydyn ni’n dilyn Kaja wrth iddi geisio goroesi – funud wrth funud.
“A gut-wrenching ordeal … a brutal single-take drama from the victims’ perspective…like a YA post-apocalyptic dystopia, with Kaja a real-life Katniss Everdeen … an absorbing and moving tribute to the courage of the young victims of Utøya.”
Rhywle yn Tokyo, mae Osamu Shibata a’i wraig Nobuyo yn byw mewn tlodi. Tra bod Osamu yn derbyn cyflogaeth achlysurol a bod gan Nobuyo swydd â chyflog isel, mae’r teulu’n dibynnu i raddau helaeth ar bensiwn y fam-gu. Gan ei fod yn dwyn o siopau ar gyfer nwyddau gyda’i fab, Shota, maen nhw’n darganfod Yuri, merch ddigartref. Mae Osamu yn mynd â hi adref, lle mae’r teulu’n arsylwi tystiolaeth o gam-drin. Er gwaethaf eu cyllid dan straen, maent yn ei mabwysiadu yn anffurfiol.
“Equal parts incisive social critique and nuanced family portrait, the latest from Japanese master Hirokazu Kore-eda — winner of this year’s Palme d’Or at Cannes — follows a small band of marginalized misfits struggling to make ends meet in a merciless urban environment.” – Toronto International Film Festival
Yn yr addasiad gwefreiddiol hwn o stori fer Haruki Murakami, mae’r auteur Corea Lee Chang-dong yn dychwelyd gyda ffilm gyffro seicolegol afaelgar am gariad obsesiynol wedi’i osod yng Nghorea prynwr modern.
Happy as Lazzaro
Mae Lazzaro melys yn byw mewn pentref yng nghefn gwlad hardd yr Eidal, wedi’i osod ar wahân i’r byd gan bont na all neb drafferthu ei drwsio. Mae bywyd yn ehangu’n debyg fel y gwnaeth ganrif yn ôl, heblaw am gerddoriaeth ddawns od Walkman a chyfnod y 1990au, nes bod pethau’n cymryd tro rhyfedd a goruwchnaturiol wrth i Lazzaro daro cyfeillgarwch ag uchelwr ifanc gwrthryfelgar.
“Rohrwacher concocts a trippy brew of Italian class struggle, folk tales, biblical allegory, pop culture references and a rich vein in cinema history.” – BFI London Film Festival
The Pearl Button
The lyrical documentary from internationally renowned documentary director Patricio Guzmán (Nostalgia for the Light, The Battle of Chile) opens up a rich reflection on landscape, history and culture in Chile.
Guzmán takes us on a journey into the water and ocean of Southern Chile. With 2,670 miles of coastline and the largest archipelago in the world, it’s a supernatural landscape full of volcanoes, mountains and glaciers. In it are the voices of the Patagonian Indigenous people and their tragic history, the first English sailors and also those of its political prisoners. Using both archival images and gorgeous new footage, The Pearl Button (El botón de nácar) manages to convey different periods of history and geography in a gripping tale of our modern world.
Released: 18 March, 2015 by New Wave
Director: Patricio Guzmán
The award-winning Mustang announces a new female filmmaking talent both on the screen and behind the camera. Five sisters grow up under the strict supervision of their aunt in this sensitive and powerful portrait of sisterhood and sexuality.
It’s the beginning of the summer. In a village in the north of Turkey, Lale and her four sisters come home from school, innocently playing with boys. The supposed debauchery of their games causes a scandal with unintended consequences. The family home slowly turns into a prison, classes on housework and cooking replace school, and marriages begin to be arranged. The five sisters, driven by the same desire for freedom, fight back against the limits imposed on them.
Released: 13 May, 2015 by Curzon
Director: Deniz Gamze Ergüven
“Deniz Gamze Ergüven’s debut is an accomplished study of what it means to be young and female in Turkey” 5* – The Guardian
In the middle of the Aegean Sea, on a luxury yacht, six men on a fishing trip decide to play a game. During this game things will be compared. Things will be measured. Songs will be butchered, and blood will be tested. Friends will become rivals, and rivals will become hungry. But at the end of the voyage when the game is over, the man who wins will be the best man. And he will wear upon his littlest finger the victorious signet ring: the Chevalier.
Winner of the Best Film Aware at the London Film Festival 2015 and directed by Athina Rachel Tsangari (acclaimed for her feature Attenberg in 2010), Chevalier is a hilarious comedy satire exposing the bizarre lengths men will go to, to be ‘the best in general’.
Released: 22 July, 2016 by Optimum Releasing
Director: Athina Rachel Tsangari
Length: 103 mins
“Chevalier” is an intelligent and dry entertainment that might also make a very telling date movie. ” – RogerEbert.com
Sonita dreams of being a famous rapper. But as an Afghan teen living in Tehran, her dreams are dangerous: the Iranian government doesn’t allow girls to sing, and at home, she is expected to become a teenage bride. With the help of filmmaker Rokhsareh Ghaemmaghami, Sonita is offered a chance to turn a dream into a reality but a perilous journey lies ahead. Winner of both the Grand Jury Prize and Audience Award at the Sundance Film Festival, Sonita is a powerful yet intimate portrait of creativity and womanhood.
“An intimate portrait of creativity and womanhood, Sonita highlights the rarely seen intricacies and shifting contrasts of Iranian society through the lens of an artist who is defining the next generation” – Sundance Film Festival
Daphne has ‘sort of given up on people’ as she goes through the motions of her busy life, working as a cook in a London restaurant and through a series of drug-fuelled hook-ups. She resists genuine intimacy in her few friendships and rejects her mother Rita’s attempts to engage. When she witnesses a violent robbery, she’s thrown into chaos and finally begins to confront the person she’s become.
“Quickly develops into something pretty remarkable, thanks mostly to the stunning performance at its center.” – RogerEbert.com
God’s Own Country
Johnny Saxby (Josh O’Connor) works long hours on his family’s remote farm in the north of England. He numbs the daily frustration of his lonely existence with nightly binge-drinking at the local pub and casual sex. But when a handsome Romanian migrant worker (Alec Secareanu) arrives to take up temporary work on the family farm, Johnny suddenly finds himself having to deal with emotions he has never felt before. As they begin working closely together during lambing season, an intense relationship starts to form which could change Johnny’s life forever.
Released: 1 September, 2017 by Picturehouse
Director: Francis Lee
Length: 104 mins
“This is one of the most assured, fully-formed British debuts of recent years.” Sight and Sound Magazine
The Prince of Nothingwood
A joyous portrait of Salim Shaheen, Afghanistan’s most popular actor, director and producer, ‘The Prince of Nothingwood’ is a gripping, heartwarming and often funny tale of creativity against all odds. Having made a record 110 films over 30 years, despite no budget and the country’s ongoing war, Shaheen is ‘The Prince Of Nothingwood’, the man behind the movie industry in Afghanistan (aka ‘Nothingwood’).
Released: 15 December, 2017 by Vertigo
Director: Sonia Kronlund
Length: 85 mins
A Fantastic Woman
Marina and Orlando are in love and planning for the future. After celebrating Marina’s birthday one evening, Orlando falls seriously ill. Marina rushes him to the emergency room, but he passes away just after arriving at the hospital. Instead of being able to mourn her lover, suddenly Marina is treated with suspicion. The doctors and Orlando’s family don’t trust her. Marina is a trans woman and for most of Orlando’s family, her gender identity is an aberration, a perversion. So Marina struggles for the right to be herself. She battles the very same forces that she has spent a lifetime fighting just to become the woman she is now – a complex, strong, forthright and fantastic woman.
Released: 2 March, 2018 by Curzon Artificial Eye
Director: Sebastián Lelio
Length: 104 mins