[{"id":186462,"date":"2026-06-12T16:42:46","date_gmt":"2026-06-12T15:42:46","guid":{"rendered":"https:\/\/filmhubwales.org\/?page_id=186462"},"modified":"2026-06-12T16:51:46","modified_gmt":"2026-06-12T15:51:46","slug":"inclusive-cinema-overview","status":"publish","type":"page","link":"https:\/\/canolfanffilmcymru.org\/cy\/inclusive-cinema-overview\/","title":{"rendered":"Inclusive Cinema Overview"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"author":71,"featured_media":32466,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-186462","page","type-page","status-publish","has-post-thumbnail","hentry","search-cat-resources-diversity-and-inclusion","search-cat-resources"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Inclusive Cinema Overview - 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We hope you find it useful and it inspires you to consider putting on your own autism-friendly screenings.<\/h3>\n<p style=\"text-align: center;\"><strong>Whilst this guide predominantly focuses on autism \u2013 and screenings are therefore referred to as autism-friendly screenings (AFS) \u2013 we know many cinemas use the terms \u2018relaxed\u2019 or \u2018sensory friendly\u2019. Whatever the name used, such screenings can benefit anyone who finds standard screenings overwhelming.<\/strong><\/p>\n<p style=\"text-align: center;\">Access the guide, along with further resources below.<\/p>","protected":false},"excerpt":{"rendered":"<p>The UK Cinema Association, supported by Dimensions and the BFI Film Audience Network, have produced this guide on how best to deliver and promote autism- friendly screenings at your cinemas. &hellip;<\/p>","protected":false},"author":642,"featured_media":186463,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-186412","page","type-page","status-publish","has-post-thumbnail","hentry","search-cat-resources-diversity-and-inclusion","search-cat-resources"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Autism-Friendly Screenings Resource - 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Mae Nia yn gyd-gyfarwyddwr ar \u0174yl Arswyd Abertoir, yn rhaglennu ar gyfer G\u0175yl Ffilmiau Cymru a\u2019r Byd yn Un ac yn cyfrannu\u2019n rheolaidd at ddigwyddiadau a chyhoeddiadau sy\u2019n trafod ffilm. Trwy gydol ei gyrfa mae Nia wedi arbenigo mewn materion cynrychiolaeth, cynhwysiant, a mynediad. <\/strong><\/p>\n<p>Er roedd rhai o arloeswyr y byd sinema yn gweithio yng Nghymru yn nyddiau cynharaf y cyfrwng, roedd hi\u2019n 1935 cyn i\u2019r ffilm Gymraeg gyntaf cael ei chynhyrchu, sef <em>Y Chwarelwr<\/em> (Ifan ab Owen Edwards), ac yna dros ddegawd yn ddiweddarach daeth y nesaf: <em>Yr Etifeddiaeth<\/em> (John Roberts Williams, 1949) a <em>Noson Lawen<\/em> (G. Mark Lloyd, 1950).<\/p>\n<p>Rhai degawdau wedyn adnabyddodd rhai o fawrion y genedl p\u0175er y sinema yn y frwydr dros yr iaith, a sefydlwyd y Bwrdd Ffilmiau Cymraeg. Er eu hymdrechion arwrol yn y 70au a\u2019r 80au \u2013 a oedd yn cynnwys y ffilmiau cwlt <em>Gwaed ar y S\u00ear<\/em> a <em>O&#8217;r Daear Hen<\/em> (Wil Aaron, 1975 &amp; 1981) - prin oedd y gefnogaeth swyddogol ar gyfer eu gwaith.<\/p>\n<div class=\"sg-block-quote\">\n<p>Canrif ar \u00f4l <em>Y Chwarlewr<\/em> a ffilmiwyd yn yr un filltir sgw\u00e2r <em>Effi o Blaenau<\/em>sydd wedi\u2019i chyfarwyddo gan Marc Evans a\u2019i haddasu gan Gary Owen o\u2019i ddrama lwyfan, <em>Iphigenia in Splott<\/em>.<\/p>\n<\/div>\n<p>Mae'r Gymraeg wedi derbyn rhywfaint o amlygrwydd cymharol ar y sgrin fawr yn ddiweddar iawn, diolch yn bennaf efallai i <em>Gwledd<\/em> (2021) ac <em>Y S\u0175n<\/em> y ddwy\u2019n gydweithrediadau rhwng y cyfarwyddwr Lee Haven Jones a'r awdur Roger Williams. Mae\u2019n anarferol, serch hynny, bod <em>Effi<\/em> cyrraedd y sgrin fawr llai na blwyddyn ers i\u2019r ffilm Gymraeg ddiwethaf fod arni - sef <em>Tanau&#8217;r Lloer<\/em> (Chris Forster, 2025). Y tro diwethaf i hyn ddigwydd, hyd i mi wybod, oedd degawd yn \u00f4l, gydag <em>Yr Ymadawiad<\/em> (Gareth Bryn) ac <em>Y Llyfrgell<\/em> (Euros Lyn); a chyn hynny, 2008. Prin iawn yw\u2019r cyfle i weld mwy nag un ffilm Gymraeg yn y sinema o fewn yr un flwyddyn, os hynny hyd yn oed.<\/p>\n<p>Ers sefydlu S4C yn yr 80au, a\u2019r statws swyddogol i hawliau\u2019r iaith, mae\u2019r pedwar degawd diwethaf wedi gweld beth sy\u2019n teimlo fel tipyn o fwrlwm o Gymraeg ar ein sgriniau. Ond, mae\u2019n deg i ddweud, y sgrin fach sy\u2019n dominyddu, boed hynny\u2019n deledu, cyfrifiadur neu ff\u00f4n. Fodd bynnag, rydym yn ffodus yng Nghymru bod cymaint o sinem\u00e2u annibynnol, rhai sy\u2019n fodlon ac yn medru cynnal dangosiadau \u2018arbennig\u2019, one-offs, gan yn aml dyna\u2019r unig ffordd o weld ffilmiau Cymraeg ar y sgrin fawr. Prin iawn yw\u2019r ffilmiau Cymraeg sy\u2019n cael eu rhyddhau\u2019n eang gan ddosbarthwr \u2018mawr\u2019.<\/p>\n<p>Mae yno golled i ddiwylliant pan nad oes modd gweld ei dychymyg ar y sgrin fawr. Falle i rai nad oes gwahaniaeth rhwng gwylio ffilm yn y sinema a gwylio cyfres ar eu ff\u00f4n, ond trist yw\u2019r tyb hynny. Mae medru dod at ein gilydd, i wylio a gwrando ar ein hunain, yng ngofod sanctaidd y sinema yn brofiad nad oes modd ei ail-greu mewn mannau eraill, ta waeth pa mor dda mae ein systemau adloniant cartref.<\/p>\n<div class=\"sg-block-quote\">\n<p>Heb glywed y Gymraeg - yn ei holl acenion a thafodieithoedd - yn y sinema, mae yno syniad yn tyfu nad oes ffasiwn beth \u00e2 \u2018ffilm\u2019 Cymraeg, taw nid lle i ni yw\u2019r sinema. Mae yno wagle diwylliannol, i ni, ac i weddill y byd.<\/p>\n<\/div>\n<p>Nid un o Flaenau Ffestiniog ydw i, ond falle un fy hoff bethau am <em>Effi<\/em>, yn ogystal \u00e2\u2019i stori afaelgar a pherfformiad disglair gan Leisa Gwenllian, oedd pa mor gyfarwydd oedd hi. O dwneli\u2019r A55, i Doc Fictoria, i nain yn gwylio <em>Dechrau Canu, Dechrau Canmol<\/em>, i bob un gair o reg sy\u2019n dod o geg Effi, mae\u2019r ffilm, er ei thrasiedi (mae\u2019n seiliedig ar arwres Roegaidd, cofiwch), yn gyfforddus.<\/p>\n<p>Mae\u2019r pleser pur o gael adnabod lleoliadau, cymeriadau, geirfa gyfarwydd mewn ffilm yn un heb ei hail. Ta waeth pa mor sinigaidd mae rhywun yn mynd, mae\u2019r frisson o adnabod rhywbeth bach o\u2019n hunain mewn ffilm yn bwysig. Mae medru gwneud hynny mewn sinema llawn o bobl eraill yn teimlo\u2019n bwysicach fyth. Mae\u2019n brofiad sy\u2019n creu cymuned dros dro, yn y tywyllwch, ac sy\u2019n arwain at drin a thrafod, at greu, ac at atgyfnerthu cymunedau yng ngolau dydd.<\/p>\n<p><strong><a href=\"https:\/\/filmhubwales.org\/en\/films\/effi-o-blaenau\/\">Effi o Blaenau<\/a> yn dod i sinem\u00e2u ledled y DU o Fehefin 19, 2026, gyda'i premi\u00e8re yng Nghymru yn <a href=\"https:\/\/cellb.square.site\/\">Cellb\u00a0<\/a> ar Fehefin 17.<\/strong><\/p>\n<p><strong>Mae gan y ffilm nifer o gysylltiadau \u00e2 Chymru gan gynnwys y cyfarwyddwr Marc Evans, y cynhyrchydd Branwen Cennard a chast yn cynnwys Leisa Gwenllian, Tom Rhys Harries, Owen Alun, Nel Rhys Lewis, Mared Llywelyn a Sion Eifon. Cafodd ei ffilmio ym Mlaenau Ffestiniog, Caernarfon a Phort Talbot ac fe'i hariannwyd gan Gymru Greadigol ac S4C.<\/strong><\/p>\n<p><strong>Comisiynwyd yr erthygl hon gan <a href=\"https:\/\/filmhubwales.org\/en\/made-in-wales\/\">Gwnaethpwyd yng Nghymru<\/a> sy'n dathlu ffilmiau sydd \u00e2 chysylltiadau Cymreig, diolch i gyllid gan Gymru Greadigol a'r Loteri Genedlaethol drwy'r BFI.<\/strong><\/p>\n<p><em><strong>This article was first published in Buzz Magazine and <a href=\"https:\/\/nation.cymru\/opinion\/wheres-the-welsh-language-in-cinema\/\">Nation<\/a>.<\/strong><\/em><\/p>","protected":false},"excerpt":{"rendered":"<p>By\u00a0Nia Edwards-Behi\u00a0 Nia holds a doctorate from Aberystwyth University and works at the Screen and Sound Archive of the National Library of Wales. She is the co-director of the Abertoir &hellip;<\/p>","protected":false},"author":642,"featured_media":186060,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-186113","page","type-page","status-publish","has-post-thumbnail","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Where\u2019s the Welsh Cinema? - Film Hub Wales | Canolfan Ffilm Cymru<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/filmhubwales.org\/wheres-the-welsh-cinema\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Where\u2019s the Welsh Cinema? - Film Hub Wales | Canolfan Ffilm Cymru\" \/>\n<meta property=\"og:description\" content=\"By\u00a0Nia Edwards-Behi\u00a0 Nia holds a doctorate from Aberystwyth University and works at the Screen and Sound Archive of the National Library of Wales. 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Ynys M\u00f4n (Anglesey) having its \u201ccinematic moment\u201d in 2026?"},"content":{"rendered":"<p><em>This article was published in <a href=\"https:\/\/www.buzzmag.co.uk\/madfabulous-film-feature-ynys-mon-anglesey\/\">Buzz<\/a> a <a href=\"https:\/\/nation.cymru\/culture\/with-madfabulous-is-ynys-mon-having-its-cinematic-moment-in-2026\/\">Nation Cymru<\/a>, written by Dion Wyn<\/em><\/p>\n<p><strong>Dion Wyn is a freelance journalist who regularly contributes to Movie Marker, BBC Radio Cymru, and BBC Radio Wales. He also serves as the Cinema Coordinator for Sinema Pontio in North Wales.<\/strong><\/p>\n<p>Ynys M\u00f4n (Anglesey) has long attracted people with its beauty and the enduring pride of its residents. Even in tough economic times, their passion for the island shines. Known as Mam Cymru (Mother of Wales), M\u00f4n serves as a central figure\u2014a nurturing landscape and Welsh stronghold.<\/p>\n<figure id=\"attachment_185517\" aria-describedby=\"caption-attachment-185517\" style=\"width: 300px\" class=\"wp-caption alignleft\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-185517\" src=\"https:\/\/filmhubwales.org\/wp-content\/uploads\/2026\/03\/0002_20240828-MadFab_D12-160140-300x169.jpg\" alt=\"Madfabulous\" width=\"300\" height=\"169\" \/><figcaption id=\"caption-attachment-185517\" class=\"wp-caption-text\">Madfabulous (Icon Distribution)<\/figcaption><\/figure>\n<p>However, Ynys M\u00f4n has not always been in the spotlight. She has long been a supporting character\u2014her scenery and beauty have drawn notable productions. Films like <em>Half Light<\/em> (2006), starring Demi Moore; <em>Dr Dolittle<\/em> (2020), starring Robert Downey Jr. and <em>Anemone<\/em> (2025), starring Daniel Day-Lewis, have all been filmed here. They used the island&#8217;s Film &amp; TV studio, Aria, as a base, further driving the desire to work and make films on the island. Now, in 2026, Ynys M\u00f4n will take centre stage, with films focusing not just on its beauty but uncovering unique narratives and voices.<\/p>\n<p>One name that continues to fly the flag for the place he calls home is director and actor Celyn Jones (<em>The Almond and the Seahorse, Set Fire to the Stars<\/em>). His next directorial feature, <em>Madfabulous<\/em>, tells the true story of Henry Paget (Callum Scott Howells), the 5th Marquess of Anglesey, and his eccentric life. It portrays a riotous, flamboyant aristocrat in late 19th-century Wales who squandered his family&#8217;s fortune.<\/p>\n<p>The film opens with the Marquess arriving at Plas Newydd on the Menai Straits, giving viewers a glimpse of Ynys M\u00f4n and its untold stories. Henry\u2019s arrival marks both his own new dawn and M\u00f4n\u2019s to the big screen.<\/p>\n<figure id=\"attachment_185786\" aria-describedby=\"caption-attachment-185786\" style=\"width: 300px\" class=\"wp-caption alignright\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-185786\" src=\"https:\/\/filmhubwales.org\/wp-content\/uploads\/2026\/04\/0001_12.09.24.KS-156-Kerry-Spicer.jpg-300x169.jpg\" alt=\"\" width=\"300\" height=\"169\" srcset=\"https:\/\/canolfanffilmcymru.org\/wp-content\/uploads\/2026\/04\/0001_12.09.24.KS-156-Kerry-Spicer.jpg-300x169.jpg 300w, https:\/\/canolfanffilmcymru.org\/wp-content\/uploads\/2026\/04\/0001_12.09.24.KS-156-Kerry-Spicer.jpg-1024x576.jpg 1024w, https:\/\/canolfanffilmcymru.org\/wp-content\/uploads\/2026\/04\/0001_12.09.24.KS-156-Kerry-Spicer.jpg-768x432.jpg 768w, https:\/\/canolfanffilmcymru.org\/wp-content\/uploads\/2026\/04\/0001_12.09.24.KS-156-Kerry-Spicer.jpg-1536x864.jpg 1536w, https:\/\/canolfanffilmcymru.org\/wp-content\/uploads\/2026\/04\/0001_12.09.24.KS-156-Kerry-Spicer.jpg-18x10.jpg 18w, https:\/\/canolfanffilmcymru.org\/wp-content\/uploads\/2026\/04\/0001_12.09.24.KS-156-Kerry-Spicer.jpg-800x450.jpg 800w, https:\/\/canolfanffilmcymru.org\/wp-content\/uploads\/2026\/04\/0001_12.09.24.KS-156-Kerry-Spicer.jpg.jpg 1920w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><figcaption id=\"caption-attachment-185786\" class=\"wp-caption-text\">\u00a9 Simon Ridgway<\/figcaption><\/figure>\n<p>This drive is evident beyond<em> Madfabulous<\/em>. The passionate determination of Jones and his production company, Mad As Birds, to tell this story will be the foundation for an emerging body of work across various genres set on Ynys M\u00f4n. These include the LGBTQIA+ story <em>On The Sea<\/em>, directed by Helen Walsh, which is doing the rounds at various film festivals. There is also the mystery-thriller <em>Black Church Bay<\/em> from Rhys Marc Jones. Both films were shot on location in Amlwch, with anticipated release late 2026. All these films are different, formed from M\u00f4n\u2019s nurturing ways. Filmmakers are drawn to this part of Wales. New, dynamic viewpoints about the island and its people are ready to be seen by the world.<\/p>\n<p>Passion and drive are fundamental to storytelling, as Jones himself said:<\/p>\n<div class=\"sg-block-quote\">\n<p>\u201cThe next challenge, as a north Walian, is bringing more to north Wales and closing that gap\u2014it has a lot to offer.\u201c<\/p>\n<\/div>\n<figure id=\"attachment_185788\" aria-describedby=\"caption-attachment-185788\" style=\"width: 300px\" class=\"wp-caption alignleft\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-185788\" src=\"https:\/\/filmhubwales.org\/wp-content\/uploads\/2026\/04\/0008_20240911-MadFab_D23-161154.jpg-300x169.jpg\" alt=\"\" width=\"300\" height=\"169\" srcset=\"https:\/\/canolfanffilmcymru.org\/wp-content\/uploads\/2026\/04\/0008_20240911-MadFab_D23-161154.jpg-300x169.jpg 300w, https:\/\/canolfanffilmcymru.org\/wp-content\/uploads\/2026\/04\/0008_20240911-MadFab_D23-161154.jpg-1024x576.jpg 1024w, https:\/\/canolfanffilmcymru.org\/wp-content\/uploads\/2026\/04\/0008_20240911-MadFab_D23-161154.jpg-768x432.jpg 768w, https:\/\/canolfanffilmcymru.org\/wp-content\/uploads\/2026\/04\/0008_20240911-MadFab_D23-161154.jpg-1536x864.jpg 1536w, https:\/\/canolfanffilmcymru.org\/wp-content\/uploads\/2026\/04\/0008_20240911-MadFab_D23-161154.jpg-18x10.jpg 18w, https:\/\/canolfanffilmcymru.org\/wp-content\/uploads\/2026\/04\/0008_20240911-MadFab_D23-161154.jpg-800x450.jpg 800w, https:\/\/canolfanffilmcymru.org\/wp-content\/uploads\/2026\/04\/0008_20240911-MadFab_D23-161154.jpg.jpg 1920w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><figcaption id=\"caption-attachment-185788\" class=\"wp-caption-text\">\u00a9 Simon Ridgway<\/figcaption><\/figure>\n<p>There is importance in telling stories where they are based; it adds to and elevates the raw nature of storytelling. Being on home soil can inspire and bring nuance that being on sound stages or other locations can\u2019t. To see a film like <em>Madfabulous<\/em> utilise the beauty and grandeur of Plas Newydd and Glynllifon is delve into its history, and to give the audience that much-valued authenticity. Cymru (Wales) has an abundance of wonderful and fascinating areas across its vast land, and the film sector in Wales is recognising this value.<\/p>\n<figure id=\"attachment_185789\" aria-describedby=\"caption-attachment-185789\" style=\"width: 300px\" class=\"wp-caption alignright\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-185789\" src=\"https:\/\/filmhubwales.org\/wp-content\/uploads\/2026\/04\/0004_20240904-MadFab_D18-153533A.jpg-300x169.jpg\" alt=\"\" width=\"300\" height=\"169\" srcset=\"https:\/\/canolfanffilmcymru.org\/wp-content\/uploads\/2026\/04\/0004_20240904-MadFab_D18-153533A.jpg-300x169.jpg 300w, https:\/\/canolfanffilmcymru.org\/wp-content\/uploads\/2026\/04\/0004_20240904-MadFab_D18-153533A.jpg-1024x576.jpg 1024w, https:\/\/canolfanffilmcymru.org\/wp-content\/uploads\/2026\/04\/0004_20240904-MadFab_D18-153533A.jpg-768x432.jpg 768w, https:\/\/canolfanffilmcymru.org\/wp-content\/uploads\/2026\/04\/0004_20240904-MadFab_D18-153533A.jpg-1536x864.jpg 1536w, https:\/\/canolfanffilmcymru.org\/wp-content\/uploads\/2026\/04\/0004_20240904-MadFab_D18-153533A.jpg-18x10.jpg 18w, https:\/\/canolfanffilmcymru.org\/wp-content\/uploads\/2026\/04\/0004_20240904-MadFab_D18-153533A.jpg-800x450.jpg 800w, https:\/\/canolfanffilmcymru.org\/wp-content\/uploads\/2026\/04\/0004_20240904-MadFab_D18-153533A.jpg.jpg 1920w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><figcaption id=\"caption-attachment-185789\" class=\"wp-caption-text\">\u00a9 Simon Ridgway<\/figcaption><\/figure>\n<p>Building on this creative surge, M\u00f4n has a passionate cohort of filmmakers, creatives, and cinemas. All with stories to tell. In recent years, we\u2019ve seen Lindsay Walker win a BAFTA Cymru for \u201c<em>The Welshman.<\/em>\u201d RTS Cymru-winning filmmaker Matt Colin Evans recently received rave festival reviews for \u201c<em>A Ray of Hope: HAWFC &#8211; The Gym of Champions.<\/em>\u201d Pryia-Rose Brookwell starred in the recent family hit \u201c<em>Grow<\/em>,\u201d and young independent filmmaker Gruff Huws created the Welsh comedy film series \u201c<em>Cicio<\/em>\u201d on YouTube. The island also boasts community cinemas like Sinema Llangoed, and independent venues Ucheldre Centre and Empire, Holyhead &#8211; all flying the banner for film on the island.<\/p>\n<p>Altogether, it\u2019s evident that M\u00f4n is having her cinematic moment, but perhaps it is the foundation for more stories to be told there. Ultimately, this could become an inspiration for other corners of Wales that have yet to have their moment on the big screen.<\/p>\n<p><strong><a href=\"https:\/\/filmhubwales.org\/en\/films\/madfabulous\/\">Madfabulous<\/a> is coming to cinemas across the UK from June 5th, 2026.<\/strong><\/p>\n<p><strong>The film has various connections to Wales including director Celyn Jones, writer Lisa Baker and production company Mad as Birds. The cast features Callum Scott Howells, Leisa Gwenllian, Lisa Jen Brown, Steve Spiers and Tom Rhys Harries. It was filmed in Ynys M\u00f4n, Caernarfon and Pwllheli and was funded by the Ffilm Cymru Wales Feature Film Production Fund\u202fvia the National Lottery (delegated via Arts Council of Wales) and Creative\u202fWales.<\/strong><\/p>\n<p><strong>Comisiynwyd yr erthygl hon gan <a href=\"https:\/\/linktr.ee\/madeinwales\">Gwnaethpwyd yng Nghymru<\/a> sy'n dathlu ffilmiau sydd \u00e2 chysylltiadau Cymreig, diolch i gyllid gan Gymru Greadigol a'r Loteri Genedlaethol drwy'r BFI.<\/strong><\/p>","protected":false},"excerpt":{"rendered":"<p>This article was published in Buzz and Nation Cymru, written by Dion Wyn Dion Wyn is a freelance journalist who regularly contributes to Movie Marker, BBC Radio Cymru, and BBC &hellip;<\/p>","protected":false},"author":642,"featured_media":185787,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-185805","page","type-page","status-publish","has-post-thumbnail","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Is Ynys M\u00f4n (Anglesey) having its \u201ccinematic moment\u201d in 2026? 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Hi yw awdur The Crazy Truth ac mae'n gweithio ym meysydd cyhoeddi, theatr a ffilm. Mae ei gwaith yn edrych ar ddosbarth a rhywedd yn y Gymru gyfoes. Darganfyddwch fwy ar ei gwefan <a href=\"https:\/\/www.gemmajunehowell.com\/\">yma.<\/a><\/strong><\/p>\n<p><em>Effi o Blaenau<\/em> yn agor gyda synau fy ieuenctid, yn tyfu i fyny mewn yst\u00e2d dai a fu gynt yn yst\u00e2d dai i\u2019r glowyr yn ne Cymru: beiciau, c\u0175n yn cyfarth, cerddoriaeth ddawns. Ond dyma Flaenau Ffestiniog, ardal y llechi, 'y dref a oedd yn toi'r byd,' a chymuned gyfartal wedi'i ffurfio gan ddiwydiant gwahanol ond wedi'i dylanwadu gan un etifeddiaeth o galedi, undod a dygnwch. Roedd fy nhad yn sefyll ar y llinellau piced yn Ffestiniog yn yr 80au ac mae'r ymdeimlad hwnnw o hunaniaeth dosbarth gweithiol yn parhau yno, fel y dywed Effi, \"Blaenau Ffestiniog: lle anodd, pobl gref. Dim dewis mewn gwirionedd, suddo neu nofio.\"<\/p>\n<p>Mae'r fersiwn ffilm hon o <em>Iphigenia in Splott<\/em> gan Gary Owen yn cynnig mewnwelediad newydd, wrth symud y stori o Gaerdydd ddinesig i ardal wledig ogledd Cymru. Yn Y Sblot, roedd y ddrama yn bortread ffyrnig o ddosbarth cymdeithasol a llymder.<\/p>\n<div class=\"sg-block-quote\">\n<p>Ym Mlaenau, mae'n cyflwyno safbwyntiau newydd ar bellter, unigedd a loteri cod post gofal iechyd. Mae hefyd yn arwyddocaol bod hon yn ffilm Gymraeg ei hiaith; dewis beiddgar sy'n cyflwyno ochr fwy amrwd a thywyll o Gymru wledig ddiwydiannol yn hytrach na chydymffurfio \u00e2 delwedd ramantaidd <em>How Green Was My Valley<\/em> image.<\/p>\n<\/div>\n<p>Mae Effi yn amlwg yn cael ei chastio fel cymeriad 'chavette': yn gwisgo\u2019i chot \u2018puffer\u2019, clustdlysau cylch mawr ac yn llawn dyfeisgarwch amrwd. Mae hi\u2019n herfeiddiol ac yn ddisglair, yn erbyn cefndir llwm Cymru \u00f4l-ddiwydiannol. Mae Leisa Gwenllian yn rhoi perfformiad syfrdanol, rhagorol ac mae gweld merched ifanc fel Effi ar y sgrin fawr yn rhoi cysur gwirioneddol. Mae hi'n ffrydiwr Gen Z, sy'n dogfennu popeth ar ei iPhone, gan gynnwys sgan uwchsain ei babi, ac eto mae hi'n cael ei dal ar yr un pryd mewn swigen o \u2018r 1990au - hen soffas a chyfleoedd cyfyngedig. Mae'r byd wedi symud ymlaen, ond nid i fenywod ifanc fel Effi.<\/p>\n<p>Mewn un olygfa wych, dywyll gomig, ar \u00f4l darganfod ei bod hi'n feichiog, mae Effi yn croesi'r pentref, yn gwagio bag siopa o ddarnau arian ar gownter y siop ac yn mynnu, \"Fodca os gwelwch yn dda.\" Mae'n bortread anghyfforddus o real o geisio fferru poen bodolaeth. Ond nid yw'r ffilm byth yn ei lleihau hi i\u2019r pwynt ei bod hi\u2019n rhoi gorau i bopeth. Na, mae Effi yn wyllt, yn fywiog ac yn ddigywilydd yn y ffordd orau bosibl! Fel <em>Alma\u2019s Not Normal<\/em> a <em>Rain Dogs<\/em>mae'r ffilm hon yn gwrthod parchusrwydd, ond mae hi'n dal i gael ei beirniadu a'i hecsbloetio. Yn yr ysbyty, mae hi'n cael ei gwahaniaethu oherwydd nad oes ganddi \u0175r, dim eiriolwr amlwg, dim asiantaeth, a dim p\u0175er cymdeithasol. Trwy gyfres o fethiannau a rhagfarnau systemig, mae'r sefydliad a gr\u00ebwyd gan Gymro ar gyfer pobl fel hi yn ei methu. Mae hi'n cael ei rhoi ar ei phen ei hun mewn ward sy'n dal i gael ei adeiladu ac yna\u2019n cael ei chludo mewn ambiwlans drwy storm eira, heb fydwraig. Mae gofal mamolaeth fel pwnc yn teimlo hyd yn oed yn fwy dwys mewn lleoliad gwledig, lle mae gwasanaethau'n cael eu hymestyn a lle mae'r gefnogaeth yn aml ymhellach i ffwrdd. Mae daearyddiaeth ei hun yn dod yn haen arall i'r frwydr.<\/p>\n<p>Mae'r ffilm hefyd yn chwalu'r myth o'r \u2018compo scrounger\u2019 ac fel llawer o bobl dosbarth gweithiol, mae Effi yn derbyn nad oes ganddi lais, ac yn llyncu\u2019r anghyfiawnder yn hytrach na ecsbloetio GIG sydd eisoes ar ei gliniau. Mae\u2019r frawddeg \"Llai o arian, llai o welyau... dyna sut mae hi,\" yn fyrdwn llym i'r Gymru fodern, gan ddangos y twll sydd rhwng egwyddorion sylfaenol y GIG a'r realiti rydyn ni'n ei wynebu heddiw.<\/p>\n<p>Wrth wylio<em> Effi,<\/em> meddyliais ar unwaith am linell o fy nofel <em>The Crazy Truth<\/em> sy 'n taflu goleuni ar sefyllfa\u2019r prif gymeriad Girlo fel awdur sy'n ei chael hi\u2019n anodd bod yn awdur: 'It was not that she could not write, just that she was made to feel like she didn't have the right to.' Y drasiedi fan hyn yw nid methu mae\u2019r menywod ifanc yma, ond yn hytrach maent wedi cael eu siapio mewn ffordd yn annheg gan gymdeithas sy'n eu dysgu i beidio \u00e2 disgwyl gwell: peidio \u00e2 disgwyl gofal, nac urddas, na hyd yn oed yr hawl i gael gwrandawiad. Yn hynny o beth, mae straeon fel hyn yn gwneud rhywbeth hanfodol: maent yn mynnu nad yw bywydau dosbarth gweithiol yn ymylol nac yn dafladwy; maent yn haeddu sylw a lle. Mae straeon fel hyn yn ein hatgoffa o ddiffygion dynoliaeth a bod pob bywyd yn haeddu cael ei glywed, ei weld a'i ofalu amdano.<\/p>\n<div class=\"sg-block-quote\">\n<p>Mae'r ffilm hon yn perthyn i draddodiad hanfodol o adrodd straeon sy'n ymgysylltu\u2019n gymdeithasol, o <em>Streetlife<\/em>, <em>Ms Rhymney Valley<\/em> a Owen Sheers' <em>To Provide All People<\/em>Yn yr ystyr hwnnw, mae hefyd yn teimlo fel darn sy\u2019n cyd-fynd \u00e2 <em>Nye<\/em>berfformiwyd gan Michael Sheen: ffilm sy\u2019n ein hatgoffa pa mor werthfawr yw'r GIG ond ei fod cefnogaeth ac angen ei foderneiddio.<\/p>\n<\/div>\n<p>Er ei holl dor calon, mae hon yn ffilm obeithiol yn y pen draw. Ar adegau wrth edrych dros y llyn, mae Effi yn myfyrio ar y cyfle am ddyfodol gwahanol. Mae angen ffilmiau fel hyn ar Gymru: straeon sy'n dangos bywydau sy'n rhy aml yn cael eu hanwybyddu ac yn mynnu y gall goroesi fod yn fath o wrthwynebiad.<\/p>\n<p><strong>Bydd Effi o Blaenau yn dod i sinem\u00e2u ledled y DU o Fehefin 19, 2026, gyda'i premi\u00e8re yng Nghymru yn <a href=\"https:\/\/cellb.square.site\/\">Cellb\u00a0<\/a> ar Fehefin 17.<\/strong><\/p>\n<p><strong>The film has various connections to Wales including director Marc Evans, producer Branwen Cennard and a cast featuring Leisa Gwenllian, Tom Rhys Harries, Owen Alun, Nel Rhys Lewis, Mared Llywelyn and Sion Eifon. It was filmed in Blaenau Ffestiniog, Caernarfon, Port Talbot and was funded by Creative Wales and S4C. \u00a0\u00a0<\/strong><\/p>\n<p><strong>Mae gan y ffilm nifer o gysylltiadau \u00e2 Chymru gan gynnwys y cyfarwyddwr Marc Evans, y cynhyrchydd Branwen Cennard a chast yn cynnwys Leisa Gwenllian, Tom Rhys Harries, Owen Alun, Nel Rhys Lewis, Mared Llywelyn a Sion Eifon. Cafodd ei ffilmio ym Mlaenau Ffestiniog, Caernarfon a Phort Talbot ac fe'i hariannwyd gan Gymru Greadigol ac S4C.<\/strong><\/p>","protected":false},"excerpt":{"rendered":"<p>This article was published in Buzz Magazine. Gemma June Howell is a writer, editor and cultural critic based in Swansea. She is the author of The Crazy Truth and works &hellip;<\/p>","protected":false},"author":642,"featured_media":185781,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-185803","page","type-page","status-publish","has-post-thumbnail","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Effi o Blaenau: Survival, Identity and the Cost of being a Woman in Modern Wales - Film Hub Wales | Canolfan Ffilm Cymru<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/filmhubwales.org\/effi-o-blaenau-survival-identity-and-the-cost-of-being-a-woman-in-modern-wales\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Effi o Blaenau: Survival, Identity and the Cost of being a Woman in Modern Wales - Film Hub Wales | Canolfan Ffilm Cymru\" \/>\n<meta property=\"og:description\" content=\"This article was published in Buzz Magazine. 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It Up (2026)"},"content":{"rendered":"<p style=\"text-align: center;\"><strong>The 2026 BFI FAN UK-wide season is Rip It Up \u2013 exploring and celebrating the changing face of youth rebellion, culture and expression \u2013 from joy to heartbreak \u2013 on screen in the UK.<\/strong><\/p>\n<p style=\"text-align: center;\">Youth culture in the UK has a wide and varied history, from the defiant rebellion of Teddy Boys, mods and rockers and the many activist movements that have shaped our society to hedonistic self-expression in the music and fashion scenes and the emotional rollercoaster that simply is being a teenager \u2013 all of which have been portrayed on screen in a multitude of ways.<\/p>\n<p style=\"text-align: center;\"><strong>The season activity will take place from May \u2013 October 2026.<\/strong><\/p>\n<h3 style=\"text-align: center;\"><strong>\u00a0Watch the season trailer:<\/strong><\/h3>\n<p><center><iframe loading=\"lazy\" title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/-RaT5OKYLBw?si=enLFae7G2hcykcw9\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/center><\/p>","protected":false},"excerpt":{"rendered":"<p>The 2026 BFI FAN UK-wide season is Rip It Up \u2013 exploring and celebrating the changing face of youth rebellion, culture and expression \u2013 from joy to heartbreak \u2013 on &hellip;<\/p>","protected":false},"author":72,"featured_media":185448,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-185725","page","type-page","status-publish","has-post-thumbnail","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Rip It Up (2026) - Film Hub Wales | Canolfan Ffilm Cymru<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, 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