Sefydlwyd yr ŵyl Watch-Africa Cymru wyth mlynedd yn ôl yn ne Cymru, a hon yw unig ŵyl ffilmiau Affricanaidd Cymru. Mae'r 9fed rhifyn eleni yn symud ar-lein ac yn digwydd rhwng 19 a 28 Chwefror 2021.
Gyda chefnogaeth Canolfan Celfyddydau Chapter, Ffilm Cymru a Choleg Brenhinol Cerdd a Drama Cymru, mae rhaglen gyffrous o'r enw 'Dod ag Affrica i Gymru', wedi cael ei churadu. Bydd yr ŵyl yn sgrinio amrywiaeth o 10 o ffilmiau gwych, a sesiwn holi ac ateb fyw gyda chyfarwyddwyr, cast ac arbenigwyr.
Ynghyd â'r rhaglen sinema hon, bydd yr ŵyl yn cynnig cyfres o weithdai diddorol hefyd, sydd wedi'u trefnu'n arbennig i gefnogi’r rhaglen sinema (gan gynnwys gweithdy ar Lên Gwerin Affricanaidd!).
Bydd yr ŵyl hon yn dathlu cyfnewidfeydd diwylliannol dilys drwy gydweithrediadau sinematig traws-genedlaethol. I agor yr ŵyl, mae’n bleser gan Watch-Cymru Africa groesawu Florence Ayisi, gwneuthurwr ffilmiau Cymru-Affrica. Bydd yr ŵyl yn dod i ben gyda sgriniad 'Buganda Royal Music Revival' a thrafodaeth gyda gwneuthurwyr ffilmiau a chynrychiolwyr Coleg Brenhinol Cerdd a Drama Cymru.
Dilynwch Watch-Africa Cymru ar Facebook, Twitter ac Instagram i ymuno â’r drafodaeth arlein ac i gael cyfle i ennill rhywfaint o wobrau arbennig.
Meddai Christine Patterson, cynhyrchydd Watch-Africa Cymru:
Rwy'n falch iawn o fod yn rhan o gydweithrediadau mor wych ar gyfer yr ŵyl ffilmiau eleni. Mae'r rhaglen hon yn siŵr o ysgogi ystod eang o emosiynau, a sbarduno rhywfaint o drafodaethau diddorol. Rydym ni, yn ogystal â'n cydweithwyr, yn edrych ymlaen at fwynhau'r ŵyl sydd i ddod gyda chi.
Meddai Claire Vaughan o Ganolfan Celfyddydau Chapter:
Rydym wedi bod yn gweithio gyda Watch-Africa ers blynyddoedd lawer, ac rwy'n falch iawnein bod ni wedi helpu i wneud yr ŵyl hon yn ŵyl ddigidol eleni, fel bod cynulleid faoedd yn cael cyfle i weld yr holl ffilmiau gwych hyn.
"Mae gwledd o’ch blaen- rhaglenni dogfen gan wneuthurwyr ffilmiau yng Nghymru, sylwebaeth gymdeithasol, comedi, clasuron a rhywfaint o'r ffotograffiaeth harddaf y byddwch yn ei weld eleni.
"Rwy'n edrych ymlaen yn arbennig at y gweithdai, sy'n cynnwys addysgwyr fel Abu-Bakr Madden Al-Shabazz. Peidiwch â cholli eich cyfle i weld y ffilmiau hyn, a gweld ychydig o'r byd sydd ddim ar gael i ni ar hyn o bryd."
Dywedodd yr Athro Florence Ayisi, gwneuthurwr ffilmiau Affricanaidd sy'n byw yng Nghymru ac sydd â dwy ffilm sydd yn mynd i gael eu sgrinio, bod:
"Watch-Africa Cymru yn cynnig gofod creadigol i wneuthurwyr ffilmiau a phobl sy’n caru ffilmiau i gysylltu a thrafod. Mae'n ofod arbennig sy'n ymwneud mwy â syniadau, delweddau a straeon am ddiwylliant a phrofiadau Affricanaidd a gipiwyd mewn ffilm. Yn bwysicach na hynny, mae'n le i weld, clywed a gwybod ychydig mwy am safbwyntiau a phrofiadau byw sy'n pontio bylchau o wybodaeth anghywir a chamddehongliadau am fywyd yn Affrica."
Mae Watch-Africa Cymru yn fwy na gŵyl ffilmiau; mae wedi creu lle i gynulleidfaoedd ddathlu diwylliannau pobl Affricanaidd sy'n ffurfio Cymru amlddiwylliannol; gweledigaeth wych!
Mae tocynnau ar gyfer yr Ŵyl Ffilmiau Dod ag Affrica i Gymru ar werth nawr. Bydd modd prynu pob ffilm a’u ffrydio ar Chwaraewr Chapter.
Cliciwch yma i gael rhagor o wybodaeth am yr ŵyl.
Cliciwch yma i weld clip o ŵyl Watch Africa 2021.
Mae’r ŵyl yn cael ei chefnogi gan: Ffilm Cymru, Panel Cynghori Is-Sahara (SSAP), Hub Cymru Affrica (HCA), Coleg Brenhinol Cerdd a Drama Cymru (RWCMD)
Are you aged between 14 to 18, with a passion for cinema and a desire to learn more about different aspects from across the film industry? This week, Milford Haven’s Torch Theatre have launched a fresh new scheme for teenagers from across Pembrokeshire who are interested in or have a passion based around film and cinema.
Commencing from the end of March 2021, the Torch Theatre Young Film Ambassadors scheme is an unmissable opportunity for teenagers to experience film in a fun and educational way; become a budding film critic, meet like-minded people and to make new friends. You will discuss and review films with your peers, get your reviews seen, and sharpen your skills as a reviewer as you explore writing and vlogging as part of the project.
As a Young Film Ambassador, this exciting, interactive project offers you the opportunity to watch and review current British, independent and blockbuster films. You will find out more about film with filmmaking and film studies digital workshops, with guest speakers and special presentations from industry insiders and creatives on aspects from production to publicity. Access to the films will initially be through digital streaming platforms, and then back on the big screen once the Torch is fully reopened.
The Torch Theatre’s Young Film Ambassadors scheme has been made possible by National Lottery funding distributed by Film Hub Wales, through the BFI FAN Film Exhibition Fund which was awarded to the Torch in the Autumn of 2020.
Alex Lloyd, Senior Manager – Marketing, Press & Communications at the Torch said:
The Young Film Ambassadors scheme is a fantastic opportunity for budding film enthusiasts to learn more about films and cinema from across different aspects of the industry. We will initially run the scheme online until it is safe to return to the Torch which will then give a deeper insight into what we do. I would like to thank Film Hub Wales, BFI FAN and the National Lottery for their support in allowing us to create this scheme for our younger audience members in the Pembrokeshire community.
Want to get involved? To apply to become a Young Film Ambassador, simply email marketing@torchtheatre.co.uk with the following information: Name, Age and Location, plus tell us what your three favourite films are and why. Successful Ambassadors will be contacted by 15 March 2021. For more information, visit the Torch Theatre’s website.
Organisers of the Iris Prize have launched a Wales-wide, three-year project working with community groups from across the country to discuss issues faced by LGBT+ people.
The Iris Prize successfully applied for £195,330 from The National Lottery Community Fund.
Working with the LGBT+ community and their allies, the team are looking for community groups who, thanks to the support of National Lottery players during these challenging times, will produce a film addressing issues faced by the LGBT+ community. All of the completed films will be available to watch online.
The Iris Prize intend to build on their previous Iris in the Community project, creating more opportunities for community members to make films that relay a campaign for change.
Team Iris will be working with 10 community groups to discuss issues faced by the LGBT+ community and produce a film in response. Beneficiaries will have opportunities to take part in acting workshops, and gain skills in filmmaking and scriptwriting. The groups involved do not need to work within the LGBT+ community, but will be diverse in their membership, for example welcoming people with learning disabilities.
Berwyn Rowlands, Cyfarwyddwr yr Ŵyl:
Without this funding from The National Lottery Community Fund we would not be able to run this project. We have been inundated by community groups across Wales asking if we could work with them, today we can confirm, with a very BIG YES!
“2020 marks the 20ed anniversary of the repeal of one of the most controversial pieces of legislation to impact on the lives of LGBTI+ people in the UK: Section 28 of the Local Government Act 1988.
“This is a fabulous opportunity for our community groups to take stock and reflect on where we are today as LGBT+ people. The fact that we will have 10 films produced at the end of this project is an added bonus. Film continues to be a very democratic way for people to share their ideas and to reach new audiences. Our community groups will I’m sure benefit from this amazing experience.”
Community groups who are interested in discovering more should start with a visit to Iris Prize Community where they can complete a form to express an interest.
Derek Preston-Hughes, Funding Manager at The National Lottery Community Fund said:
“We are delighted to be able to support The Iris Prize with this project. They have already played an incredible role in addressing issues faced by the LGBT+ community over the years, and it’s great that they can now build on this, thanks to National Lottery players. Projects such as this are making a huge difference to people’s lives and to communities across Wales.”
National Lottery players raise £30 million each week for good causes throughout the UK. To find out more about applying for a grant from The National Lottery Community Fund to help your community adapt, recover and thrive, visit The National Lottery Community Fund gwefan
The main festival sponsors are: The Michael Bishop Foundation, Welsh Government, the BFI awarding funds from The National Lottery, Ffilm Cymru Wales, Film 4, University of South Wales, Co-op Respect, Bad Wolf, Gorilla Group, Peccadillo Pictures, Pinewood Studios, Attitude Magazine, Diva Magazine and The Ministry of Sound.
The festival also works in partnership with BAFTA Cymru, Pride Cymru and Stonewall Cymru.
Mae Canolfan Ffilm Cymru wedi creu rôl arloesol newydd, ar gyfer hyrwyddo ffilmiau Cymreig a’r sinemau sydd yn eu dangos.
Mae Radha Patel yn ymuno gyda’r tîm fel y Swyddog Gwnaethpwyd yng Nghymru ar gyfnod holl bwysig wrth i’r diwydiant ffilm gynllunio ar gyfer dyfodol y tu hwnt i Covid-19. Gyda chefnogaeth gan Cymru Greadigol a’i ddatblygu mewn ymgynghoriad gyda’r diwydiant sgrin Cymreig, fe fydd y rôl arloesol newydd yma yn edrych ar ffyrdd i ddatblygu cynulleidfaoedd ar gyfer ffilmiau gyda chysylltiadau Cymreig.
Esboniodd Hana Lewis, Rheolwraig Strategol Canolfan Ffilm Cymru:
“Mae’r diwydiant ffilm wedi wynebu heriau enfawr yn ystod y pandemig, o gau sinemau yn hir dymor a chanslo gwyliau, i oedi mewn amserlennu rhyddhau ffilmiau newydd. Mae ffilmiau Cymreig fel Six Minutes to Midnight Andy Goddard gyda Judy Dench a Dream Horse Euros Lyn gyda Toni Collette, yn ddwy enghraifft yn unig o’r ffilmiau sydd wedi cael eu heffeithio, gan golli incwm tocynnau hanfodol a hefyd cyfle i ddathlu straeon Cymreig. Rydym yn falch o groesawu Radha i’n tîm, i rôl sydd yn gallu cefnogi’r rhain a nifer o ffilmiau newydd eraill wrth iddyn nhw chwilio am lwybrau newydd i gyrraedd cynulleidfaoedd.”
Datblygwyd y rôl ar y cyd gyda Strategaeth Gwnaethpwyd yng Nghymru Canolfan Fffilm Cymru sydd wedi bod yn gweithio i ddathlu’r Gymraeg, a diwylliant a threftadaeth Cymru ar y sgrin ers 2014. Mae dros 700 o ffilmiau gyda chysylltiadau Cymreig ar wefan y Ganolfan, ynghyd ag ystafell rhagddangos ar-lein ar gyfer rhaglenwyr ffilmiau a dewis i wneuthurwyr ffilmiau gyflwyno eu ffilmiau ar gyfer cymorth hyrwyddo. Yn fwyaf diweddar cynhaliodd Canolfan Fffilm Cymru ymchwil i botensial brand Gwnaethpwyd yng Nghymru i hyrwyddo ffilmiau Cymreig yn rhyngwladol.
Dywedodd Gerwyn Evans, Dirprwy Gyfarwyddwr, Cymru Greadigol:
“Rydym yn edrych ymlaen at adfer ein diwydiannau creadigol yn 2021. Mae ffilmiau wedi chwarae rôl mor allweddol mewn ein diddanu gartref yn ystod 2020, ond edrychwn ymlaen ar groesawu cynulleidfaoedd i’n sinemau unwaith eto. Yng Nghymru mae gennym dreftadaeth gyfoethog ac enw da cadarn o ffilm, gyda nifer o sinemau lleol yn aros i groesawu cynulleidfaoedd yn ôl. Dymunwn y gorau i Radha yn y rôl allweddol yma gyda Chanolfan Ffilm Cymru yn hyrwyddo ffilmiau Cymreig a sinemau yng Nghymru.”
Dywedodd Claire Vaughan, Rheolwraig Rhaglen Canolfan Gelfyddydau Chapter yng Nghaerdydd:
"Rydym yn falch bod Radha yn dechrau’r gwaith ar y rôl bwysig yma a fydd yn helpu i hyrwyddo ffilmiau Cymreig. Fe fydd y swydd yma yn ein galluogi i gysylltu gyda rhagor o wneuthurwyr ffilm ac aelodau cynulleidfaoedd sydd yn awyddus i glywed straeon Cymreig. Mae Radha yn artist talentog sydd yn rhoi pwyslais ar sut rydym yn esbonio ein hunain gyda straeon ac mae ei hymagwedd cynnes tuag at gynulleidfaoedd a’i dull proffesiynol gyda rhanddeiliaid yn ei gwneud yn benodiad ardderchog i’r rôl."
Mae rolau blaenorol Radha yn cynnwys Swyddog Cyfathrebu yn Age Cymru a Swyddog Prosiectau ac Allgyrraedd i Gentle/Radical, corff celfyddydau cymdeithasol ymgysylltiedig yng Nghaerdydd. Mae gan Radha gefndir mewn datblygu cynulleidfa ac mae’n teimlo’n angerddol ynghylch sicrhau bod sinema yn hygyrch ac yn gynrychioliadol o bawb.
Ymchwanega Radha:
“Rwyf bob amser wedi teimlo’n angerddol am sinema a sicrhau ei fod yn hygyrch i bawb. Fel y Swyddog Gwnaethpwyd yng Nghymru rwyf yn teimlo’n freintiedig i barhau i wneud hyn drwy sicrhau bod ffilmiau a gynhyrchir yng Nghymru, neu sydd â chysylltiadau Cymreig yn cael sylw haeddiannol gan gynulleidfaoedd yn genedlaethol ac yn rhyngwladol. Mae Cymru yn gartref i griwiau a thimau cynhyrchu anghygoel o dalentog, gwneuthurwyr ffilm ac awduron, actorion ac unigolion talentog sydd yn gweithio drwy gydol y flwyddyn i ddod â straeon yn fyw. Er mwyn eu hyrwyddo’n wirioneddol rhaid inni hefyd hyrwyddo cynulleidfaoedd Cymreig oherwydd mae’r straeon a ddywedwn yn perthyn i bob un ohonom"
Caiff Canolfan Ffilm Cymru ei arwain gan Chapter fel rhan o Rwydwaith Datblygu Cynulleidfa BFI. Diolch i gyllid y Loteri Cenedlaethol mae Canolfan Ffilm Cymru yn darparu portffolio eang o weithgareddau yn flynyddol gan gyflwyno rhagor o ffilmiau, i ragor o bobl, mewn rhagor o sinemau a gwyliau ffilm ar draws Cymru.
The BFI Film Audience Network’s Sinema Cynhwysol has launched a practical guide for improving the cinema experiences of ethnically diverse audiences, and staff, which challenges institutions to make good on their Black Lives Matter and anti-racism statements from 2020.
Sinema Cynhwysol is a UK-wide project funded by the BFI Film Audience Network (FAN) through the National Lottery to support exhibitors in welcoming everyone to participate in cinema, by countering cultural, systemic or physical barriers. The new guide ‘Dismantling Structural Inequality in Your Cinema’ was commissioned from artist and freelancer Sadia Pineda Hameed and focuses on the cinema experiences of ethnically diverse people, with reference to intersections including gender, sexuality, disability, income and class.
From immediately actionable tools, to encouraging inner, reflective and dialogue-based work towards undoing systemic injustice, the guide is intended to create lasting change for future generations, and sustain organisations in a meaningful way, cited by its writer as “the last toolkit that cinemas should need” when it comes to making their spaces truly inclusive of and led-by ethnically diverse people.
Speaking at film exhibition conference, This Way Up, in December 2020, Sadia Pineda Hameed, author of the guide said:
This toolkit wants to help you within your cinema or organisation to dismantle historic, powerful and violent structures; it’s not about reforming a single workplace but actually creating a more sustainable sector. It’s about decolonisation not diversification. The toolkit does not prioritise visible diversity and inclusion, but prioritises making sure exclusion can’t exist in your space … Share it with your funder and ask your funder to hold you accountable to it, and vice versa.
The toolkit examines the role of cinemas in the context of systemic injustice and focuses on preventing harm towards people of colour as audience members, staff and creators who exhibit their films, and arrives in tandem with Dogwoof’s latest release, charting Martin Luther King Jr.’s mistreatment by the FBI, MLK/FBI, available in virtual cinemas and on demand, from 15 January.
As audiences connect the dots between the seeds to Black Power rising from the ‘50s and ‘60s, to Black Lives Matter in 2020, the vital reminder is that institutional and structural racism are still endemic issues within our society and culture, requiring multiple strategies and committed action.
Toki Allison, BFI Film Audience Network Access Officer, who oversees the Inclusive Cinema project, explains:
“Many cinemas have made statements recognising that structural change is essential after the resurgence of Black Lives Matter bringing racism forcibly into the public consciousness in 2020. This toolkit provides short and long-term actions for organisations to take, to show their true commitment to not only making statements, but taking anti-racist action to create an equitable space for Black, Asian, and ethnically diverse talent, curators, staff and audiences. It’s a comprehensive and inarguably uncompromising document, but it will only be effective if organisations take it, absorb it, recognise the deep work that needs to be done, and get on and do it. I’m looking forward to seeing real change happen, including true accountability from white-led organisations who give up their power and make way for ethnically diverse leaders, makers and curators to share stories in their own ways.”
Rico Johnson-Sinclair, director and founder of CineQ, and festival manager at SHOUT Festival, was consulted in the creation of the toolkit, and said:
“There’s been a bit of work in the film industry generally over the last couple of years. And whilst this work is formative, it’s still optional and very base level. While the industry is debating whether or not to even implement systems of equality within their organisations, people of colour from all perspectives are put on the backburner time and time again, in lieu of something, anything else, that seems to take priority due to its rise in the public sphere. As this happens, whole generations of black and brown storytellers, creatives and hard-working film-lovers are cast aside to protect a casually and subversively racist status quo. This toolkit not only helps organisations to acknowledge systemic racism happening in their backyards (within a film industry that was built during a time where the only representation we had was given to us by white people), it also shows us a path to valuable self-learning; to implement change across the team to ensure that as the conversation changes and evolves amongst marginalised people (which it will inevitably do), organisations are able to keep up. Instead of performative, this toolkit champions the formative and sustainable.”
Alex Misick, programme coordinator at The Centre for Contemporary Arts, Glasgow, who have begun the work to structural change in their venue, said:
I like how the guide doesn’t pull any punches, and is quite explicit about the politics that underpin so much of what hopefully, should be a historic approach. One of Sadia’s key points is that this isn’t just a strategy to be implemented from the top-down of an organisation. These are conversations that need to happen between staff, not necessarily led by senior management, and to be implemented at an individual level… Instead of following capitalist logic of doing more, this is a moment to take a step back, and to recognise there’s a rupture in consensus and let’s not go back to normal.
You can find the toolkit in the how-to guides section of the Inclusive Cinema website here and/or download it yma.
You can find virtual screenings and on demand links to watch MLK/FBI here.
Datganiad i’r Cyfryngau:
Mae Canolfan FfIlm Cymru wedi dyfarnu £52,000 mewn cyllid Loteri Cenedlaethol, drwy Gronfa Arddangos FAN BFI, i 15 o sinema annibynnol a gwyliau ffilm wrth iddyn nhw gynllunio i ailagor.
Defnyddir yr arian i gynorthwyo adferiad, gan alluogi lleoliadau i ailddechrau dangos ffilmiau Prydeinig a rhyngwladol, yn cynnwys drwy seddi ar steil cabaret a ‘swigod sgrin fawr’, er mwyn iddyn nhw allu ailgysylltu gyda’r cymunedau mwyaf ynysig yng Nghyrmu sydd wedi cael eu heffeithio gan y cyfnod clo.
Cynhelir gweithgareddau ffilm gan gadw pellter cymdeithasol ar draws Cymru, gan greu gofod diogel lle gall pobl barhau i deithio’r byd drwy gyfrwng y sgrin fawr, am brisiau fforddiadwy. Fe fydd cynulleidfaoedd ar flaen y broses o wneud penderfyniadau, gyda’u hadborth yn cael ei werthfawrogi gan leoliadau wrth iddyn nhw ailadeiladu.
Er enghraifft, mae TAPE yn Hen Golwyn yn ailgychwyn Sinema Soffa ac fe fydd yn dangos Sanctuary mewn partneriaeth gydag asiantaeth paru lleol newydd i bobl gydag anableddau dysgu, Yn y Barri, fe fydd Canolfan Gelfyddydau’r Memo yn creu gweithgareddau ‘Swigen Sgrin Fawr’ gyda chrefftau digidol a chludo ymaith, ac yn y Magig Lantern, Tywyn, fe fyddan nhw’n ‘ailgynnau’r lantern hud’ gan osod y sinema fel goleudy dewr, eofn ar gyfer y dyfodol.
Ers cychwyn y pandemig mae nifer o safleoedd wedi methu agor eu dryau i’r cyhoedd. Gyda’r dyfodol yn parhau’n ansicr, maen nhw wedi bod yn gweithio i amrywio eu model busnes, datblygu gweithdrefnau iechyd a diogelwch cadarn a sicrhau ffynonellau incwm amgen holl bwysig.
Mae Hana Lewis, Rheolwraig Strategol Canolfan Ffilm Cymru yn esbonio:
Mae angen inni gydnabod effaith sinemau yn ein cymunedau a’r golled potensial y bydd pawb ohonom yn ei wynebu os ydyn nhwn cau oherwydd y pandemig. O Neuadd Ogwen, oedd yn darparu bwyd i 600 o bobl drwy ei fanc bwyd, i’r Magic Lantern a Theatr Gwaun oedd yn darparu cyflenwadau meddygol a chefnogaeth iechyd meddwl i ddefnyddwyr bregus, mae lleoliadau annibynnol wedi mynd yr ail filltir i helpu’r rhai sydd fwyaf mewn angen. Maen nhw weid gwneud hyn ac ar yr un pryd yn cynllunio ar gyfer eu dyfodol ansicr eu hunain, archwilio eu cynlluniau busnes, adolygu eu dulliau mynediad a chydraddoldeb, edrych ar gynaliadwyedd amgylcheddol. Fe fydd y cronfeydd yma yn eu helpu i ailgychwyn darpariaeth cymdeithasol, economaidd a diwylliannol holl bwysig drwy weithgareddau ar y sgrin.
Annie Grundy, Cyd-gyfarwyddwraig The Magic Lantern:
Mae’r arian yma yn ein galluogi i lapio pelen fawr o wlan cotwm o amgylch ffilmiau Prydeinig, annibynnol ac ieithoedd tramor yn ein rhaglen yr oeddem yn yr hen ddyddiau cyn coronafeirws roeddem wedi eu tanysgrifio inni ein hunain. Mae’n sicrhau y gall ein cynulleidfaoedd, hyd yn oed gyda chapasiti llawer llai (36 o seddi yn lle 280 oherwydd rheolau cadw pellter) ddod i wylio cymysegdd eclectig o ffilmiau gwych ar y sgrin yn y Magic Lantern.
Ychwanega Sue Whitbread, Prif Swyddog Gweithredol Theatr Gwaun:
Mae cefnogaeth Canolfan Ffilm Cymru yn golygu ein bod yn gallu mynd ymlaen gyda’n strategaeth ffilm newydd. Fe fydd Theatr Gwaun nawr yn canolbwynto ar ffilmiau amrywiol, annibynnol gan adfywio diddordeb a datblygu cynulleidfaoedd newydd yn ein cymuned. Mae cyllid yn hanfodol, a hefyd y cyngor a’r mentora arbenigol.
Mae Blanche Giacci yn byw ychydig strydoedd i ffwrdd o Theatr Gwaun ac ar gyfnod normal fe fyddai'n mynychu dangosiad o leiaf unwaith yr wythnos:
Mae Theatr Gwaun yn rhan hanfodol o'n cymuned, yn darparu sinema, diwylliant ac adloniant i bob grwp oedran a diddordeb. Mae'n ganolfan gymdeithasol sydd yn gwella llesiant y gymuned.
Dywed Ben Luxford, Pennaeth Cynulleidfaoedd DU yn BFI:
Mae eleni wedi dangos pwysigrwydd ac angen rhaglennu y tu hwnt i'r prif ffrwd, ac rydym yn falch o allu cefngi arddangoswyr yng Nghymru i barhau i wneud hynny.
Mae’r gronfa arddangos ffilm (BFI) drwy ei Rwydwaith Cynulleidfa Ffilm (FAN). Mae’r gronfa yn cynnig cymorth hanfodol a pharhad busnes i arddangoswyr ar draws y DU gyfan. Gweinyddir y cronfeydd yng Nghymru gan Ganolfan Ffilm Cymru drwy Chapter fel y Corff Arwain Canolfan Ffilm.
O'r chwith i'r dde: Galeri Caernarfon, Memo Arts Centre Barry © Jon Pountney, Theatr Gwaun, The Magic Lantern © Mathieu Gasquet, WOW Women’s Film Club © Jon Pountney, Wicked Wales Tir Morfa Awards, Memo Arts Centre Barry WAM © Jon Pountney, Monmouth Savoy © David Broadbent
What is it?
YourScreen is your virtual cinema, a short-term solution to keep you going during the pandemic. It also provides a long-term opportunity to add an extra screen to your film programme – to appeal to new audiences and to generate additional revenue without the overheads.
How does it work?
For every virtual ticket sold, YourScreen will pay you 30%.
Participation is simple:
– They will provide you with a promo code which will give you audience 25% off ticket purchases.
– You promote the films on your website / social media / e-shot.
– At the end of the season they will send you a sales report and an invitation to invoice them for 30% of all purchases made.
If you participated in YourScreen season one, your existing promo code will be valid for season two.
Contact:
Please get in touch to learn more: patrick.yourscreen@gmail.com or visit their wefan Canolfan Ffilm Cymru.
Current deal:
Season Four will be available from from 23 July until 19 September
Films available:
Thursday 8th October 2020: A network boasting over 250 members has unveiled their dedicated space celebrating the massive talents represented by the freelance cohort of the UK’s film exhibition and distribution sectors. Dial F for Freelancer is led by film freelancers for their peers, sharing past projects and reaching potential clients. Dial F for Freelancer is the first of its kind and the only dedicated space for freelancers working in film distribution and exhibition.
The current unfolding news regarding the future of film exhibition highlights the pressing need for this platform to exist. Whilst the film industry relies on freelancers, there are currently no formal structures to support them collectively:
“…more than half of the industry workforce are freelancers or mix freelance work with periods of employment. Freelancers are the lifeblood of our industry, yet they don’t have access to the benefits, security or workplace support of permanent employees.” – The Whole Picture Programme Report – The Film and TV Charity, 2020
Bydd Dial F for Freelancer platform has been developed with the needs of freelancers at the forefront to celebrate the sector’s unique skills. The founding members are looking to reduce the barriers and labour to finding paid work by creating an ever-growing network of freelancers.
The grassroots-led project places the platform in the hands of the users rather than a third party. Users control their pitch and profile, choosing the projects of which they’re proudest to showcase. Members of Dial F for Freelancer are also supported with resources, contacts and opportunities to collaborate.
The origins of this concept began during discussions at This Way Up 2019 (the UK’s film exhibition industry conference), a sidebar talk for freelancers led by Toki Allison spoke about the need for an informal network to be created to provide peer to peer support and reduce the feelings of isolation which are prevalent in freelancing. In March 2020 as freelancers began to lose work due to the pandemic, Allison, along with Moira McVean and Jo Taylor-Hitchinson decided to make the network a reality.
Initially a Facebook group set up to support freelancers affected by the onset of the lockdown attracted over 250 members and the trio realised a more formal platform was needed. They were awarded a Community Grant from The Film and TV Charity and have gained further industry support which has allowed them to create the Dial F for Freelancer platform.
The Dial F for Freelancer Steering Group, comprising eight freelancers working in the sector, have worked with a developer to design and launch Dial F For Freelancer to the industry.
This project has been supported by The Film and TV Charity’s Community Grants, a fund from the Film Distributors’ Association, and with further contributions from film distributors, including Altitude Film Distribution, Bohemia Media and eOne. The new platform endeavours to celebrate the wealth of talent and expertise represented across the network, whilst also creating a warm and welcoming space for freelancers working in exhibition and distribution to build their profiles and networks in an effective and easy way. They also plan to build a collective public presence and signpost available support for members.
Jo Taylor, co-founder of Dial F for Freelancer said:
My freelance career has been powered by collaboration and with the invaluable support of my peers. Creating a network such as this has been an aspiration of mine for a long time and so it’s gratifying to be working with colleagues and supporters who feel the same. It is so exciting to see Dial F for Freelancer come to fruition giving our sector the spotlight it deserves.
Andy Leyshon, Chief Executive, Film Distributors’ Association said:
The varied nature of the films FDA members distribute are often reliant upon project-focused freelance expertise across film booking, marketing and publicity specialities. Freelancers have been hit especially hard across the film ecosystem lately and we are pleased to support this worthwhile initiative during these challenging times.
Mark Jones, Head of Publicity, Altitude Media Group said:
Freelancers have played an integral role in several of Altitude’s releases and it’s been brilliant for us to be able to collaborate with a range of dynamic individuals. We know one of the greatest challenges of freelancing is the absence of close knit ‘colleagues’ to introduce new ways of thinking, building skills and further opportunities. Dial F for Freelancer is the perfect dedicated platform to offer that expanded network to those in the industry and also give distributors such as ourselves the opportunity to discover new talent to work with us on our releases.
Timon Singh, Campaigns Manager, Film Hub South West said:
For the BFI FAN New Release scheme, freelancers have been invaluable both to venues and distributors. Venues are often short-staffed, so having someone available to help with social media marketing and promoting the film has been incredibly useful for many. For distributors, freelancers also help to give their titles a fighting chance in an increasingly populated marketplace by promoting their films in more rural venues and organising events around screenings that make them stand-out from the crowd.
Anthony & Teanne Andrews, co-founders, We Are Parable said:
The need for a platform that can bring together freelancers who work in either film exhibition and/or distribution is absolutely essential. It provides the industry with a key place to seek out a wide variety of talented people, enabling opportunities to be visible for all, as well as offering freelancers a network to keep informed of an ever changing sector.
Anna Navas, Director and Programmer, Plymouth Arts Centre said:
Here at PAC we really value the work that freelancers do and have worked with many on different projects over the years. What they bring is new energy, insights and a whole world of different experiences and ways of working. What that does is invigorate organisations in a way that should be celebrated. The work they do is invaluable to the independent exhibition sector.
BFI FAN Film Exhibition Fund
The BFI has announced the BFI FAN Film Exhibition Fund is now open, with National Lottery funding available to exhibitors across the UK. The new Fund will support activity to re-engage audiences with collective, big screen film experiences at film festivals, mixed arts venues, and both community and traditional cinemas. As part of a comprehensive package of support for film exhibitors – including the Government’s £30m Culture Recovery Fund for Independent Cinemas in England launched last week – the Film Exhibition Fund will support dynamic cultural programming and activities to engage diverse audiences.
Ben Luxford, BFI’s Head of UK Audiences, said:
“We know the best place to watch film is on the big screen, but the UK’s many indie venues and smaller exhibitors also serve as vital cultural spaces where audiences can connect with their local community, make new and surprising discoveries and be inspired by this most accessible art form in a communal setting. With the generous support of Government and National Lottery, our wealth of film exhibitors are in a position to restart activity, and this funding is there to support them – to continue being brave with their programming choices and to best serve audiences wherever they live in the UK.”
BFI FAN is a unique collaboration of eight Film Hubs managed by leading film organisations across the UK, who will each distribute the funding in their region or nation.
This BFI FAN Film Exhibition Fund will enable FAN Members to deliver a broad range of programming once they restart, ensuring excellent British and international independent cinema is available to audiences all over the UK. Other priorities of the Fund are incentivising exhibitors to embed inclusion and environmental sustainability into their approach to reopening, post shut down.
Key dates:
Applications open: Mon 17 August 2020
Applications close: Wed 30 Sept 2020
Ffenestr gweithgarwch: Mid Oct 20 – March 21
Activity can vary in length, scale and format. Members can apply for up to £10,000 (note that there are slight regional variations on this) and support can cover programming, marketing and associated costs.
All proposals must also be able to set out how they will address the BFI Diversity Standards and sign up to the BFI Anti-Bullying and Harassment Principles, as well as demonstrate how they will operate safely during Covid-19, reference can be made to the UKCA’s Cinemas – keeping workers and customers safe during Covid-19 Guidelines.
Due to the limited resources available, and FAN’s commitment to environmental sustainability, drive-ins will not be supported through this fund. Online activity will only be a priority when accompanied by ‘in venue’ work.
The BFI FAN Film Exhibition is part of a package of support from the UK Government and the BFI, awarding National Lottery funding, to enable many independent cinemas to survive the shutdown which hit arts and cultural venues badly and with immediate impact.
Bydd BFI FAN Resilience Fund opened in April offering £1.3m in emergency funding to exhibitors in critical need as they continued to face months of closure and uncertainty, awarding 130 FAN Members grants ranging from £415 to £23,000 each. The Government’s £30m Culture Recovery Fund for Independent Cinemas in England is now open, providing funding to cover COVID-related health and safety costs, and grants to support independent cinemas operate under the restricted conditions and at limited capacity due to social distancing measures. The UK Government has also provided funding to support cinemas in Scotland, Wales and Northern Ireland, which will be managed by the devolved Government administrations. Funding available to Film Hub Scotland members includes funding from Screen Scotland.
As part of the industry-wide BFI Screen Sector Task Force, the UK Cinema Association led on publishing guidance on the safe operation of cinemas and mobile cinemas. Working safely during COVID-19 in cinemas, which is regularly updated to meet the latest government guidance, is produced in consultation with the Department for Digital, Culture, Media, Public Health England (PHE) and the Health and Safety Executive (HSE).
The BFI put in place a package of support for individuals, organisations and businesses across the sector that have been most impacted by COVID-19 (including the BFI FAN COVID-19 Resilience Fund, Production Continuation Fund, Sales Company Organisational Fund and COVID-19 Emergency Relief Fund with The Film & TV Charity for freelancers) and through the BFI Screen Sector Task Force, it continues to work with industry and Government to develop and implement a robust, sector-wide strategy for recovery.
A number of significant initiatives have resulted from the work of the Screen Sector Task Force, including the Culture Recovery Fund for Independent Cinemas in England; a Government funded scheme to support independent film and television production struggling to get coronavirus-related insurance; creating guidance for film and television production to restart and cinemas to reopen, both given the green-light by Government and Public Health England; and the quarantine exemption for film and high-end television cast and crew.
Film Hub Members can apply for the Film Exhibition Fund yma.
Watch The Three Films Festival online Friday 31ain July – 2nd August
In this period of challenge and uncertainty for the creative industries, film Festivals in Wales have responded by coming together to promote the importance of Festivals in our communities and provide a new national and international platform to celebrate young talent in Wales. This initiative has been led by the Wicked Wales International Youth Film Festival in Rhyl and supported by Film Hub Wales as part of the BFI Film Audience Network (FAN), made possible by the National Lottery.
First Minister for Wales Mark Drakeford MS/AS says:
“At a challenging time for the arts, it is inspiring to see Welsh film festivals coming together to give young film makers this opportunity to share their creativity.
“The creative industries sector is one of the fastest growing in Wales and we are very proud our country is recognised as a centre for film and TV production. Innovative events like this will help to nurture the incredible pool of future talent we have, even in the most difficult circumstances.
“I would like to wish the Three Film Festival the very best of luck and congratulate Wicked Wales and everyone who has brought this to life.”
Festivals from all corners of Wales have joined together in a new Wales Youth Festival Network WYFN. The WYFN Network is being launched with a new national ‘Three Films Festival’. The Festival will screen up to three films from each of the many established film festivals in Wales and has also welcomed films from S4C, Hijinx and Into Film. The films screened have all been made by or for young audiences aged approximately 15-25.
The Festival this year will be online and will take place between Friday 31st July and Sunday 2nd August. The programme will include film screenings and an industry programme supported by Film Feels Connected on aspects of filmmaking.
Lorraine Mahoney, WYFN Coordinator says:
“Three Films Festival demonstrates the commitment by film festivals across Wales to want to help support and develop the next generation of cinema goers and filmmakers with this inspiring online showcase of films and events. It is a coming together and a celebration of the work begun by WYFN and its film festival partners, who are all working together to screen a wider range of films to young audiences in Wales.”
Rhiannon Hughes, Director of Wicked Wales Festival adds:
“Wicked Wales Festival has benefited enormously from belonging to an international youth film festival network ‘Youth Cinema Network’ (YCN) in terms of sharing ideas and best practice, collaborating on projects and raising funds together. It was this experience which we wanted to introduce to Wales to strengthen support for Festivals in Wales. We are grateful for the support of Film Hub Wales who have worked with us for a number of years to develop the new network.”
Mark Williams, Iris Prize Outreach and Education Manager:
“We’re delighted to be sharing some of the films we have made with young people. We’ve been inspired by the creative talent we have here in Wales, as our next generation of filmmakers begin their journey. We hope people enjoy watching these films as much as we’ve enjoyed making them.”
The full festival programme is available on the www.wickedwales.com website and WYFN Facebook page.
Follow twitter @wales_youth for regular updates and subscribe to the YouTube festival channel to watch the free online film festival. And visit their facebook Wales Youth Festival Network neu Wicked Cinema
Streaming services added 4.6 million subscribers in the first eight weeks of UK lockdown. As we’ve acclimatised to COVID-19 restrictions, a major season of film from the BFI Film Audience Network has been giving film fans a whole new world of film to explore.
Bringing together more than 50 programmes from UK cinemas, festivals and film societies, the season offers UK film fans new ways to connect with unique, bespoke and diverse film screenings and special events, beyond the tried and tested streaming platforms.
Upcoming highlights include:
Film Feels is a National Lottery funded project designed to bring new, off-the-beaten track, films to those who have spent lockdown completing Netflix, searching every corner of Amazon Prime for something a bit different or have had all the Disney+ they can handle.
This summer, Film Feels Connected invites audiences to join in with over fifty online film events; ranging from watch-alongs to live conversations with directors, filmmakers and critics, to film festivals, workshops and at-home creative activities.
We’re spending almost three hours a day watching TV and films during lockdown2,” said Annabel Grundy, Film Feels Connected project lead, “so Film Feels Connected adds a whole new dimension to the kinds of things readily available. From Russian cinema to Japanese animation, award-winning short films, queer cinema and much needed comedic relief, we’re working with organisations and cinemas all over the UK who are selecting films they love, to share with audiences online.
Although cinemas were given the green light to open in England on 4 July, many smaller independent cinemas in the UK, unable to open at reduced capacity, are making plans to reopen later in Summer and the early Autumn.
Greg Walker, Festival Director at Pilot Light, one of the Film Feels Connected participating organisations, says:
COVID-19 has thrown many organisations a curveball with their physical festival delivery, so we’re very excited for the opportunity to connect with new and existing audiences online with our eclectic selection of TV Pilots and Web Series. We hope this format keeps our loyal audiences coming back and, also reaches new people around the country hungry to discover fresh, diverse & talented voices working in and breaking through Indie TV.”
The team behind Film Feels Connected hope that while the cinemas are dark over the summer, curious film fans will visit the Film Feels website and take a risk on some true cinematic gems. All chosen by respected cinema programmers, film festivals and cinephiles who want to share their passion for cinema.
Independent venues and festivals really care about their audiences, and so many organisations have quickly pivoted to an online programme, to connect with people and try new ways of working even in the face of challenge and uncertainty. From community film club watch-alongs to experimental programmes of new work from arts collectives, the opportunity for audiences to discover and share new films and experiences is alive and well,” says Annabel, “plus, the chance to get closer to the directors and writers behind the films with online discussions and interviews, is greater than ever before; particularly for those who are isolated or unable to access physical venues at this time. Film still has the power to connect us all.
Visit filmfeels.co.uk to find out about the all the films and events you can join in with over the summer.
