Film Hub Wales - Vacancies
Swyddi: Rydyn ni Angen Marchnadwr Llawrydd Sinema Gynhwysol
  • Contract: Tymor sefydlog (amc. 20 diwrnod Mawrth-Mai)
  • Ffi: £3000 yn cynnwys TAW
  • Lleoliad: Hyblyg (gweithio o bell)
  • Gweithiwr llawrydd angen cyfrifiadur ei hun
  • Gofynion Ychwanegol: Ni ddylid fod angen talu am feddalwedd

Nod Canolfan Ffilm Cymru yn chwilio am swyddog marchnata llawrydd i gefnogi Swyddog Mynediad FAN gyda chodi ymwybyddiaeth o Sinema Cynhwysol, prosiect Amrywiaeth a Chynhwysiant Rhwydwaith Cynulleidfa Ffilm (FAN) BFI.

Fe ddylai’r gweithiwr llawrydd feddu ar arbenigedd mewn cyfryngau digidol, a phrofiad o ddefnyddio Wordpress, Mailchimp a Twitter, ac yn hyderus wrth siarad gydag arddangoswyr sinema o bob ffurf a maint, y wasg a’r cyfryngau, boed ar y ffôn neu ar-lein.

Byddwn yn disgwyl i’r gweithiwr llawrydd feddu ar ddealltwriaeth ac angerdd dros gynhwysiant ac yn ddelfrydol, fe fydd y contract yma yn cael ei chwblhau gan rhywun sydd â phrofiad byw o amrywiaeth.

  • Gwelwch y brîff yma am fanylion - PDF neu Word. Mae'r ffurflennu yma wedi cael eu gwneud yn fwy ar gyfer hygyrchedd.
  • E-bostiwch toki@filmhubwales.org i ddatgan diddordeb a chyflwyno eich portffolio/CV (ysgrifenedig, fideo, fformatau sain yn dderbyniol) gyda geirda erbyn, erbyn 6pm Llu, 15 Mawrth 2021
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Why Naomi Bennett Launched Lesflicks, A Film Streaming Platform For Queer Women

This week, Forbes interviewed Naomi Bennet of Lesflicks about why she launched a film streaming platform for Queer Women. 

Read the full interview

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WOW Wales One World Film Festival: Free & Online Festival, March 11-21 2021

Celebrating 20 years of eye-opening world cinema to Wales, WOW Wales One World Film Festival in partnership with Aberystwyth Arts Centre returns this March in a somewhat different guise. Instead of buying tickets to enter a darkened cinema, festival goers will be settling back into their sofas to view the films streaming online, for free.  

The free WOW Film Festival opens on Thursday 11th March, 10 years to the day since Japans devastating earthquake that led to the Fukushima nuclear meltdown. The first film, chosen to mark this sad anniversary, is 3:11 A Sense of Home, Naomi Kawases a collection of shorts from directors such as Oscar winner Bong Joon Ho (Parasite)Victor Erice and Patti Smith that explore timely themes of renewal, recovery and home. 

WOW Film FestivalGreen Screen” selection includes several environmental films. Among WOW Festivals many international guest speakers this year is forest ranger turned best-selling German author Peter Wohlleben, whose film The Hidden Life of Trees has its UK online premiere. The growing local food movement is the theme of documentary First We Eat, whose director Suzanne Crocker will be joining live from Canadas frozen Yukon.  

One of sixteen online premieres, the strange and wonderful Sanctorum imagines the awesome power of nature unleashed to protect the traditional way of life in a mountain village. Beloved about an 82 year old woman devoted to the wild mountains and her cows will feature alongside a Q&A with producer Elaheh Nobakht from Tehran. 

Need a laugh? Feel good movies include comedies Arab Blues starring Iranian actress in exile Golshifteh Farahani (Paterson, The Patience Stone); The Whaler Boy set against the visually poetic backdrop of the Bering Strait and Joy, an international programme of short films curated from the best of Iris LGBT+ Film Festival. 

There is plenty of family viewing too. Lunana: A Yak in the Classroom is a heartwarming drama set in the worlds most remote school, high up in the mountains of Bhutan. Delfín follows a young boy whose determination to audition for a childrens orchestra takes him and his father on a life changing adventure. Kotatsu Japanese Animation Festival are joining the WOW Womens Film Clubs International Womens Day celebration with a selection of animated family-friendly shorts by up and coming female animators in Japan. Running to the Sky sees young runner Jekshen competing for the top prize in traditional running races of Kyrgyzstan. 

Nature, gods and mysticism feature in WOWStrange Films for Strange Days” strand. Laoss only female film director Mattie Do is another guest speaker, alongside her wonderful ghost story The Long Walkpresented by Abertoir Festival. Abertoir are also presenting the chilling Malaysian folk-horror RohIn Tantas Almas/Valley of Souls about Colombias civil war, the swampy air of the magnificent Magdalena river is thick with mystery and fear.

Saturday 20th March is Nowruz, or Persian New Year. Iranian film curator Ehsan Khoshbakht will introduce his film about the vibrant world of Filmfarsi, a popular genre of cinema from the 1960s and 70s, alongside the UK online premiere of the restored version of the greatest Iranian movie of all time, The Deerwhich is rarely seen outside Iran.

The 2021 WOW Film Festival will wrap on Sunday 21st March, with a celebration of the UNs International Day of Forests. With the climate emergency, everyone is talking about planting trees. But are we going about it in the right way?

WOW Film Festival Director David Gillam said:

“It has been really exciting to put together our first online festival. Now people anywhere in the UK can join the party and discover what Welsh audiences have enjoyed for twenty years.We would like to thank all our funders and sponsors who have made it possible for us to brighten these dark days by providing the online festival entirely for free. Without the support of the Welsh Government’s Cultural Recovery Fund, this free festival would not have been possible.We’ve only thrived for so long thanks to the support of many great partners. But I would particularly like to thank everyone at our ‘spiritual home’ in Aberystwyth Arts Centre without whom we simply couldn’t have put on this year’s festival. Other film festivals in Wales have also provided essential support. As well as bringing the world to Wales, by taking WOW online, we can export the best of Welsh film festivals to the rest of the UK. I would also like to thank the many people who have supported WOW over the last twenty years.”

WOW Film festival is funded by The Welsh Government’s Cultural Recovery Fund, Ffilm Cymru Wales, National Lottery Communities Fund and Film Hub Wales as part of the BFI Film Audience Network (FAN), made possible by the National Lottery.

For all the news on the festival, visit ww.wowfilmfestival.com and sign up to the newsletter. 

Download the full press release

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Dod â sinema Affricanaidd i Gymru
Bydd gŵyl ffilmiau Affricanaidd flynyddol Cymru, Watch-Africa Cymru, yn digwydd ar-lein yn 2021, gan ddod ag Affrica a Chymru at ei gilydd i ddathlu sinema Affricanaidd.

Sefydlwyd yr ŵyl Watch-Africa Cymru wyth mlynedd yn ôl yn ne Cymru, a hon yw unig ŵyl ffilmiau Affricanaidd Cymru. Mae'r 9fed rhifyn eleni yn symud ar-lein ac yn digwydd rhwng 19 a 28 Chwefror 2021.

Gyda chefnogaeth Canolfan Celfyddydau Chapter, Ffilm Cymru a Choleg Brenhinol Cerdd a Drama Cymru, mae rhaglen gyffrous o'r enw 'Dod ag Affrica i Gymru', wedi cael ei churadu. Bydd yr ŵyl yn sgrinio amrywiaeth o 10 o ffilmiau gwych, a sesiwn holi ac ateb fyw gyda chyfarwyddwyr, cast ac arbenigwyr.

Ynghyd â'r rhaglen sinema hon, bydd yr ŵyl yn cynnig cyfres o weithdai diddorol hefyd, sydd wedi'u trefnu'n arbennig i gefnogi’r rhaglen sinema (gan gynnwys gweithdy ar Lên Gwerin Affricanaidd!).

Bydd yr ŵyl hon yn dathlu cyfnewidfeydd diwylliannol dilys drwy gydweithrediadau sinematig traws-genedlaethol. I agor yr ŵyl, mae’n bleser gan Watch-Cymru Africa groesawu Florence Ayisi, gwneuthurwr ffilmiau Cymru-Affrica. Bydd yr ŵyl yn dod i ben gyda sgriniad 'Buganda Royal Music Revival' a thrafodaeth gyda gwneuthurwyr ffilmiau a chynrychiolwyr Coleg Brenhinol Cerdd a Drama Cymru.

Dilynwch Watch-Africa Cymru ar Facebook, Twitter ac Instagram i ymuno â’r drafodaeth arlein ac i gael cyfle i ennill rhywfaint o wobrau arbennig.

Meddai Christine Patterson, cynhyrchydd Watch-Africa Cymru:

Rwy'n falch iawn o fod yn rhan o gydweithrediadau mor wych ar gyfer yr ŵyl ffilmiau eleni. Mae'r rhaglen hon yn siŵr o ysgogi ystod eang o emosiynau, a sbarduno rhywfaint o drafodaethau diddorol. Rydym ni, yn ogystal â'n cydweithwyr, yn edrych ymlaen at fwynhau'r ŵyl sydd i ddod gyda chi.

Meddai Claire Vaughan o Ganolfan Celfyddydau Chapter:

Rydym wedi bod yn gweithio gyda Watch-Africa ers blynyddoedd lawer, ac rwy'n falch iawnein bod ni wedi helpu i wneud yr ŵyl hon yn ŵyl ddigidol eleni, fel bod cynulleid faoedd yn cael cyfle i weld yr holl ffilmiau gwych hyn.

"Mae gwledd o’ch blaen- rhaglenni dogfen gan wneuthurwyr ffilmiau yng Nghymru, sylwebaeth gymdeithasol, comedi, clasuron a rhywfaint o'r ffotograffiaeth harddaf y byddwch yn ei weld eleni.

"Rwy'n edrych ymlaen yn arbennig at y gweithdai, sy'n cynnwys addysgwyr fel Abu-Bakr Madden Al-Shabazz. Peidiwch â cholli eich cyfle i weld y ffilmiau hyn, a gweld ychydig o'r byd sydd ddim ar gael i ni ar hyn o bryd."

Dywedodd yr Athro Florence Ayisi, gwneuthurwr ffilmiau Affricanaidd sy'n byw yng Nghymru ac sydd â dwy ffilm sydd yn mynd i gael eu sgrinio, bod:

"Watch-Africa Cymru yn cynnig gofod creadigol i wneuthurwyr ffilmiau a phobl sy’n caru ffilmiau i gysylltu a thrafod. Mae'n ofod arbennig sy'n ymwneud mwy â syniadau, delweddau a straeon am ddiwylliant a phrofiadau Affricanaidd a gipiwyd mewn ffilm. Yn bwysicach na hynny, mae'n le i weld, clywed a gwybod ychydig mwy am safbwyntiau a phrofiadau byw sy'n pontio bylchau o wybodaeth anghywir a chamddehongliadau am fywyd yn Affrica."

Mae Watch-Africa Cymru yn fwy na gŵyl ffilmiau; mae wedi creu lle i gynulleidfaoedd ddathlu diwylliannau pobl Affricanaidd sy'n ffurfio Cymru amlddiwylliannol; gweledigaeth wych!

Mae tocynnau ar gyfer yr Ŵyl Ffilmiau Dod ag Affrica i Gymru ar werth nawr. Bydd modd prynu pob ffilm a’u ffrydio ar Chwaraewr Chapter.

Cliciwch yma i gael rhagor o wybodaeth am yr ŵyl.
Cliciwch yma i weld clip o ŵyl Watch Africa 2021.

Mae’r ŵyl yn cael ei chefnogi gan: Ffilm Cymru, Panel Cynghori Is-Sahara (SSAP), Hub Cymru Affrica (HCA), Coleg Brenhinol Cerdd a Drama Cymru (RWCMD)

ENDS.

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Put yourself in the picture as a Young Film Ambassador with the Torch Theatre

Are you aged between 14 to 18, with a passion for cinema and a desire to learn more about different aspects from across the film industry? This week, Milford Haven’s Torch Theatre have launched a fresh new scheme for teenagers from across Pembrokeshire who are interested in or have a passion based around film and cinema.

Commencing from the end of March 2021, the Torch Theatre Young Film Ambassadors scheme is an unmissable opportunity for teenagers to experience film in a fun and educational way; become a budding film critic, meet like-minded people and to make new friends. You will discuss and review films with your peers, get your reviews seen, and sharpen your skills as a reviewer as you explore writing and vlogging as part of the project. 

As a Young Film Ambassador, this exciting, interactive project offers you the opportunity to watch and review current British, independent and blockbuster films. You will find out more about film with filmmaking and film studies digital workshops, with guest speakers and special presentations from industry insiders and creatives on aspects from production to publicity. Access to the films will initially be through digital streaming platforms, and then back on the big screen once the Torch is fully reopened.

The Torch Theatre’s Young Film Ambassadors scheme has been made possible by National Lottery funding distributed by Film Hub Wales, through the BFI FAN Film Exhibition Fund which was awarded to the Torch in the Autumn of 2020.

Alex Lloyd, Senior Manager – Marketing, Press & Communications at the Torch said:

The Young Film Ambassadors scheme is a fantastic opportunity for budding film enthusiasts to learn more about films and cinema from across different aspects of the industry. We will initially run the scheme online until it is safe to return to the Torch which will then give a deeper insight into what we do. I would like to thank Film Hub Wales, BFI FAN and the National Lottery for their support in allowing us to create this scheme for our younger audience members in the Pembrokeshire community.

Want to get involved? To apply to become a Young Film Ambassador, simply email marketing@torchtheatre.co.uk with the following information: Name, Age and Location, plus tell us what your three favourite films are and why. Successful Ambassadors will be contacted by 15 March 2021. For more information, visit the Torch Theatre’s website.

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Iris Outreach Filming With Glitter Cymru
Iris Prize celebrates National Lottery award to support ambitious three-year project

Organisers of the Iris Prize have launched a Wales-wide, three-year project working with community groups from across the country to discuss issues faced by LGBT+ people.

The Iris Prize successfully applied for £195,330 from The National Lottery Community Fund.

Working with the LGBT+ community and their allies, the team are looking for community groups who, thanks to the support of National Lottery players during these challenging times, will produce a film addressing issues faced by the LGBT+ community. All of the completed films will be available to watch online.

The Iris Prize intend to build on their previous Iris in the Community project, creating more opportunities for community members to make films that relay a campaign for change.

Team Iris will be working with 10 community groups to discuss issues faced by the LGBT+ community and produce a film in response. Beneficiaries will have opportunities to take part in acting workshops, and gain skills in filmmaking and scriptwriting. The groups involved do not need to work within the LGBT+ community, but will be diverse in their membership, for example welcoming people with learning disabilities.

Berwyn Rowlands, Cyfarwyddwr yr Ŵyl:

Without this funding from The National Lottery Community Fund we would not be able to run this project. We have been inundated by community groups across Wales asking if we could work with them, today we can confirm, with a very BIG YES!

“2020 marks the 20th anniversary of the repeal of one of the most controversial pieces of legislation to impact on the lives of LGBTI+ people in the UK: Section 28 of the Local Government Act 1988.

“This is a fabulous opportunity for our community groups to take stock and reflect on where we are today as LGBT+ people. The fact that we will have 10 films produced at the end of this project is an added bonus. Film continues to be a very democratic way for people to share their ideas and to reach new audiences. Our community groups will I’m sure benefit from this amazing experience.”

Community groups who are interested in discovering more should start with a visit to Iris Prize Community where they can complete a form to express an interest.

Derek Preston-Hughes, Funding Manager at The National Lottery Community Fund said:

“We are delighted to be able to support The Iris Prize with this project. They have already played an incredible role in addressing issues faced by the LGBT+ community over the years, and it’s great that they can now build on this, thanks to National Lottery players. Projects such as this are making a huge difference to people’s lives and to communities across Wales.”

National Lottery players raise £30 million each week for good causes throughout the UK. To find out more about applying for a grant from The National Lottery Community Fund to help your community adapt, recover and thrive, visit The National Lottery Community Fund gwefan

The main festival sponsors are: The Michael Bishop Foundation, Welsh Government, the BFI awarding funds from The National Lottery, Ffilm Cymru Wales, Film 4, University of South Wales, Co-op Respect, Bad Wolf, Gorilla Group, Peccadillo Pictures, Pinewood Studios, Attitude Magazine, Diva Magazine and The Ministry of Sound.

The festival also works in partnership with BAFTA Cymru, Pride Cymru and Stonewall Cymru.

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The Iris Prize opens for submissions confirming the importance of diversity in its 15th anniversary year!

Submissions are now open for the 2021 Iris Prize LGBT+ Film Festival. Celebrating its 15th edition, the Cardiff (UK) based festival, will take place in October 2021. The organisers are keen to continue to share LGBT+ stories from all over the world and closer to home, with the introduction of community and education awards at main festival.

The festival present 9 awards:

  • Iris Prize – the largest LGBT+ short film prize in the world supported by The Michael Bishop Foundation
  • Iris Prize Best British Short Supported by Film4
  • Iris Prize Best Feature sponsored by Bad Wolf
  • Best Performance in a Female Role sponsored by Diva Magazine
  • Best Performance in a Male Role sponsored by Attitude Magazine
  • Youth Jury Award sponsored by TBC
  • Community Award – £250 to enable the winning community group to make more films
  • Education Award – £250 to enable the winning education/youth group to make more films
  • Micro Short Award – £100 to enable the filmmaker to make more films

Andrew Pierce, Festival Chair commented:

Diversity has been at the heart of Iris from the beginning. Thanks primarily to the relationships we have with 30 partner festivals located in 20 countries we have always enjoyed seeing diversity represented on our screens.

Diversity across the board is taking a little longer. However, I’ve been encouraged by the improved gender balance and over the past three years we have seen women directors taking the main prize.

We have also seen a steady increase in the number of trans stories included in the festival programme. I’m hoping in 2021 and from this point in time we will also see an increase in films made by Trans filmmakers.

Community and Education Awards
The 2021 festival will see the inclusion of the fourth Iris Community and Education Awards, and for the first time they will be presented during the main festival in Cardiff.

Berwyn Rowlands, Festival Director commented:

“We have a popular outreach programme at Iris working with community and education groups across Wales and the rest of the UK. Using film to further understanding and tolerance of LGBT+ issues we have been successful in introducing elements of the main festival into our outreach work. It was therefore only natural that we would bring the celebration of community and education awards into the main festival.

Who knows, the future community and education winner could be an Iris Prize winner of the future.”

“We can now look back at 2020 as the year Iris came of age – when she stood tall and stepped out into the world, stronger and more determined. We are going to build on the success of 2020, and over the next few months we are looking forward to sharing more exciting news about our work and how Iris is going to be continue to share LGBT+ stories to a growing audience.”

Details about submitting films can be found yma

The main festival sponsors are: The Michael Bishop Foundation, Welsh Government, the BFI awarding funds from the National Lottery, Ffilm Cymru Wales, Film 4, University of South Wales, Co-op Respect, Bad Wolf, Gorilla Group, Peccadillo Pictures, Pinewood Studios, Attitude Magazine, Diva Magazine and The Ministry of Sound.

The festival also works in partnership with BAFTA Cymru, Pride Cymru and Stonewall Cymru.

Cover image: 9 shortlisted filmmakers from 9 different countries taking part in the online edition of Iris Prize LGBT+ Film Festival 2020.

Clip of Iris Prize winner 2020, Victoria Warmerdam from the Netherlands discovering she was the winner here.

You can read the full press release here

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Credit Zara Siddique
Inclusive Cinema tasks cinemas to take anti-racist action with launch of new guide

Inclusive Cinema tasks cinemas to take anti-racist action with launch of new guide 

The BFI Film Audience Network’s Sinema Cynhwysol has launched a practical guide for improving the cinema experiences of ethnically diverse audiences, and staff, which challenges institutions to make good on their Black Lives Matter and anti-racism statements from 2020. 

Sinema Cynhwysol is a UK-wide project funded by the BFI Film Audience Network (FAN) through the National Lottery to support exhibitors in welcoming everyone to participate in cinema, by countering cultural, systemic or physical barriers. The new guide ‘Dismantling Structural Inequality in Your Cinema’ was commissioned from artist and freelancer Sadia Pineda Hameed and focuses on the cinema experiences of ethnically diverse people, with reference to intersections including gender, sexuality, disability, income and class.

From immediately actionable tools, to encouraging inner, reflective and dialogue-based work towards undoing systemic injustice, the guide is intended to create lasting change for future generations, and sustain organisations in a meaningful way, cited by its writer as “the last toolkit that cinemas should need” when it comes to making their spaces truly inclusive of and led-by ethnically diverse people.

Speaking at film exhibition conference, This Way Up, in December 2020, Sadia Pineda Hameed, author of the guide said:  

This toolkit wants to help you within your cinema or organisation to dismantle historic, powerful and violent structures; it’s not about reforming a single workplace but actually creating a more sustainable sector. It’s about decolonisation not diversification. The toolkit does not prioritise visible diversity and inclusion, but prioritises making sure exclusion can’t exist in your space … Share it with your funder and ask your funder to hold you accountable to it, and vice versa.

The toolkit examines the role of cinemas in the context of systemic injustice and focuses on preventing harm towards people of colour as audience members, staff and creators who exhibit their films, and arrives in tandem with Dogwoof’s latest release, charting Martin Luther King Jr.’s mistreatment by the FBI, MLK/FBI, available in virtual cinemas and on demand, from 15 January.  

As audiences connect the dots between the seeds to Black Power rising from the ‘50s and ‘60s, to Black Lives Matter in 2020, the vital reminder is that institutional and structural racism are still endemic issues within our society and culture, requiring multiple strategies and committed action.  

Toki Allison, BFI Film Audience Network Access Officer, who oversees the Inclusive Cinema project, explains:  

“Many cinemas have made statements recognising that structural change is essential after the resurgence of Black Lives Matter bringing racism forcibly into the public consciousness in 2020. This toolkit provides short and long-term actions for organisations to take, to show their true commitment to not only making statements, but taking anti-racist action to create an equitable space for Black, Asian, and ethnically diverse talent, curators, staff and audiences. It’s a comprehensive and inarguably uncompromising document, but it will only be effective if organisations take it, absorb it, recognise the deep work that needs to be done, and get on and do it. I’m looking forward to seeing real change happen, including true accountability from white-led organisations who give up their power and make way for ethnically diverse leaders, makers and curators to share stories in their own ways.” 

Rico Johnson-Sinclair, director and founder of CineQ, and festival manager at SHOUT Festival, was consulted in the creation of the toolkit, and said: 

There’s been a bit of work in the film industry generally over the last couple of years. And whilst this work is formative, it’s still optional and very base level. While the industry is debating whether or not to even implement systems of equality within their organisations, people of colour from all perspectives are put on the backburner time and time again, in lieu of something, anything else, that seems to take priority due to its rise in the public sphere. As this happens, whole generations of black and brown storytellers, creatives and hard-working film-lovers are cast aside to protect a casually and subversively racist status quo. This toolkit not only helps organisations to acknowledge systemic racism happening in their backyards (within a film industry that was built during a time where the only representation we had was given to us by white people), it also shows us a path to valuable self-learning; to implement change across the team to ensure that as the conversation changes and evolves amongst marginalised people (which it will inevitably do), organisations are able to keep up. Instead of performative, this toolkit champions the formative and sustainable.” 

Alex Misick, programme coordinator at The Centre for Contemporary Arts, Glasgow, who have begun the work to structural change in their venue, said: 

I like how the guide doesn’t pull any punches, and is quite explicit about the politics that underpin so much of what hopefully, should be a historic approach. One of Sadia’s key points is that this isn’t just a strategy to be implemented from the top-down of an organisation. These are conversations that need to happen between staff, not necessarily led by senior management, and to be implemented at an individual level… Instead of following capitalist logic of doing more, this is a moment to take a step back, and to recognise there’s a rupture in consensus and let’s not go back to normal.

You can find the toolkit in the how-to guides section of the Inclusive Cinema website yma and/or download it here.

You can find virtual screenings and on demand links to watch MLK/FBI yma. 

Diwedd.

Download the full press release

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Mae Canolfan Ffilm Cymru yn dyfarnu £52,000 mewn cronfeydd Covid-19 i sinemau a gwyliau yng Nghymru.

Datganiad i’r Cyfryngau:

Mae Canolfan Ffilm Cymru yn dyfarnu £52,000 mewn cronfeydd Covid-19 i sinemau a gwyliau yng Nghymru.

Mae lleoliadau ffilm yn rhoi llesiant ar y blaen yn eu rhaglenni ailagor ôl Covid-19.

Mae Canolfan FfIlm Cymru wedi dyfarnu £52,000 mewn cyllid Loteri Cenedlaethol, drwy Gronfa Arddangos FAN BFI, i 15 o sinema annibynnol a gwyliau ffilm wrth iddyn nhw gynllunio i ailagor.

Defnyddir yr arian i gynorthwyo adferiad, gan alluogi lleoliadau i ailddechrau dangos ffilmiau Prydeinig a rhyngwladol, yn cynnwys drwy seddi ar steil cabaret a ‘swigod sgrin fawr’, er mwyn iddyn nhw allu ailgysylltu gyda’r cymunedau mwyaf ynysig yng Nghyrmu sydd wedi cael eu heffeithio gan y cyfnod clo.

Cynhelir gweithgareddau ffilm gan gadw pellter cymdeithasol ar draws Cymru, gan greu gofod diogel lle gall pobl barhau i deithio’r byd drwy gyfrwng y sgrin fawr, am brisiau fforddiadwy. Fe fydd cynulleidfaoedd ar flaen y broses o wneud penderfyniadau, gyda’u hadborth yn cael ei werthfawrogi gan leoliadau wrth iddyn nhw ailadeiladu.

Er enghraifft, mae TAPE yn Hen Golwyn yn ailgychwyn Sinema Soffa ac fe fydd yn dangos Sanctuary mewn partneriaeth gydag asiantaeth paru lleol newydd i bobl gydag anableddau dysgu, Yn y Barri, fe fydd Canolfan Gelfyddydau’r Memo yn creu gweithgareddau ‘Swigen Sgrin Fawr’ gyda chrefftau digidol a chludo ymaith, ac yn y Magig Lantern, Tywyn, fe fyddan nhw’n ‘ailgynnau’r lantern hud’ gan osod y sinema fel goleudy dewr, eofn ar gyfer y dyfodol.

Ers cychwyn y pandemig mae nifer o safleoedd wedi methu agor eu dryau i’r cyhoedd. Gyda’r dyfodol yn parhau’n ansicr, maen nhw wedi bod yn gweithio i amrywio eu model busnes, datblygu gweithdrefnau iechyd a diogelwch cadarn a sicrhau ffynonellau incwm amgen holl bwysig.

Mae Hana Lewis, Rheolwraig Strategol Canolfan Ffilm Cymru yn esbonio:

Mae angen inni gydnabod effaith sinemau yn ein cymunedau a’r golled potensial y bydd pawb ohonom yn ei wynebu os ydyn nhwn cau oherwydd y pandemig. O Neuadd Ogwen, oedd yn darparu bwyd i 600 o bobl drwy ei fanc bwyd, i’r Magic Lantern a Theatr Gwaun oedd yn darparu cyflenwadau meddygol a chefnogaeth iechyd meddwl i ddefnyddwyr bregus, mae lleoliadau annibynnol wedi mynd yr ail filltir i helpu’r rhai sydd fwyaf mewn angen. Maen nhw weid gwneud hyn ac ar yr un pryd yn cynllunio ar gyfer eu dyfodol ansicr eu hunain, archwilio eu cynlluniau busnes, adolygu eu dulliau mynediad a chydraddoldeb, edrych ar gynaliadwyedd amgylcheddol. Fe fydd y cronfeydd yma yn eu helpu i ailgychwyn darpariaeth cymdeithasol, economaidd a diwylliannol holl bwysig drwy weithgareddau ar y sgrin.

Annie Grundy, Cyd-gyfarwyddwraig The Magic Lantern:

Mae’r arian yma yn ein galluogi i lapio pelen fawr o wlan cotwm o amgylch ffilmiau Prydeinig, annibynnol ac ieithoedd tramor yn ein rhaglen yr oeddem yn yr hen ddyddiau cyn coronafeirws roeddem wedi eu tanysgrifio inni ein hunain. Mae’n sicrhau y gall ein cynulleidfaoedd, hyd yn oed gyda chapasiti llawer llai (36 o seddi yn lle 280 oherwydd rheolau cadw pellter) ddod i wylio cymysegdd eclectig o ffilmiau gwych ar y sgrin yn y Magic Lantern.

Ychwanega Sue Whitbread, Prif Swyddog Gweithredol Theatr Gwaun:  

Mae cefnogaeth Canolfan Ffilm Cymru yn golygu ein bod yn gallu mynd ymlaen gyda’n strategaeth ffilm newydd. Fe fydd Theatr Gwaun nawr yn canolbwynto ar ffilmiau amrywiol, annibynnol gan adfywio diddordeb a datblygu cynulleidfaoedd newydd yn ein cymuned. Mae cyllid yn hanfodol, a hefyd y cyngor a’r mentora arbenigol.

Mae Blanche Giacci yn byw ychydig strydoedd i ffwrdd o Theatr Gwaun ac ar gyfnod normal fe fyddai'n mynychu dangosiad o leiaf unwaith yr wythnos:

Mae Theatr Gwaun yn rhan hanfodol o'n cymuned, yn darparu sinema, diwylliant ac adloniant i bob grwp oedran a diddordeb. Mae'n ganolfan gymdeithasol sydd yn gwella llesiant y gymuned.

Dywed Ben Luxford, Pennaeth Cynulleidfaoedd DU yn BFI: 

Mae eleni wedi dangos pwysigrwydd ac angen rhaglennu y tu hwnt i'r prif ffrwd, ac rydym yn falch o allu cefngi arddangoswyr yng Nghymru i barhau i wneud hynny.

Mae’r gronfa arddangos ffilm (BFI) drwy ei Rwydwaith Cynulleidfa Ffilm (FAN). Mae’r gronfa yn cynnig cymorth hanfodol a pharhad busnes i arddangoswyr ar draws y DU gyfan. Gweinyddir y cronfeydd yng Nghymru gan Ganolfan Ffilm Cymru drwy Chapter fel y Corff Arwain Canolfan Ffilm.

Diwedd
Darllenwch y datganiad i’r wasg llawn yma

O'r chwith i'r dde: Galeri Caernarfon, Memo Arts Centre Barry © Jon Pountney, Theatr Gwaun, The Magic Lantern © Mathieu Gasquet, WOW Women’s Film Club © Jon Pountney, Wicked Wales Tir Morfa Awards, Memo Arts Centre Barry WAM © Jon Pountney, Monmouth Savoy © David Broadbent

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Yourscreen
YourScreen: Virtual Cinema Offer

‘Open your doors’ during lockdown and let your audience watch films – mostly new and unavailable on other digital platforms – on YourScreen.

By promoting YourScreen, you will be earning revenue now and well into the future.


What is it?

YourScreen
is your virtual cinema, a short-term solution to keep you going during the pandemic.  It also provides a long-term opportunity to add an extra screen to your film programme – to appeal to new audiences and to generate additional revenue without the overheads.

How does it work?
For every virtual ticket sold, YourScreen will pay you 30%.


Participation is simple:
– They will provide you with a promo code which will give you audience 25% off ticket purchases.
– You promote the films on your website / social media / e-shot.
– At the end of the season they will send you a sales report and an invitation to invoice them for 30% of all purchases made.

If you participated in YourScreen season one, your existing promo code will be valid for season two.

Contact:
Please get in touch to learn more: patrick.yourscreen@gmail.com or visit their wefan Canolfan Ffilm Cymru.

Current deal:
Season 3 will be available for you to programme between 1 Mar – 23 May 2021.

Films available:

  • Veins of the World
  • An Impossible Project
  • Asunder
  • Cat in the Wall
  • A Coach’s Daughter
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EjKkIWsXkAEmDt5
Four Film Festivals join forces to present AMPLIFY!

A brand new virtual film festival streaming this November

Four of the UK’s top film festivals have joined forces in response to the Covid-19 pandemic to deliver a brand new collaborative online film festival this November.

Unprecedented times call for an unprecedented response!

AMPLIFY! Film Festival is the most ambitious collaboration between UK film festivals ever undertaken and will see a truly diverse programme of films, many of them UK premieres, available to audiences across the entire UK.

AMPLIFY! will bring together over 100 years of film festival experience, to create a 17-day online event which will amplify the voices of diverse storytellers from the UK and around the world. 

For the very first time an exciting programme of films is being co-curated by four festivals — Bath, Brighton (Cinecity), Cambridge, and Cornwall — and promoted across the UK, opening up this unique festival to an audience of millions and allowing people to access these incredible films — over 50% of which are directed by women — from the comfort of their own homes.

AMPLIFY! will stream online 6–22 November, with the full programme of films, Q&As, masterclasses, and industry events to be announced in October. 

Full of dazzling debuts ac spectacular previews, the online programme of AMPLIFY! offers a feast of movie viewing for audiences of every taste. Winner of Best Film at San Sebastián International Film Festival & nominated at TIFF in Viggo Mortensen’s directorial debut, Falling, he directs himself in a powerful family drama about a son’s traumatic relationship with his father. With 5 wins and 11 International festival nominations Patrick (De Patrick) is a brilliant Belgian black comedy about a nudist camp; Patrick, the camp’s handyman, has lost his hammer, and nothing will make him happy until he finds it.

Travelling back 90 years, you can see the silent masterpiece Waxworks starring Jack the Ripper, Ivan the Terrible, and Harun al-Rashid, brought back to life by the great Emil Jannings introduced by the much loved BBC radio & TV presenter and pianist Neil Brand. The Audition stars one of Europe’s greatest actors, Nina Hoss, as an obsessive music teacher determined that her pupil will succeed. Piotr Domalewski picked up a new directors nomination at San Sebastián International Film Festival 2020 for his stunning debut Jak najdalej stąd (I Never Cry) which premieres at AMPLIFY.

There are lots of hot docs too: The Mole Agent is the unforgettable account of how a care home is infiltrated by an elderly gent who has been hired to find out what goes on behind closed doors. While Caught in the Net is the compelling story of a virtual flytrap set for online paedophiles, using women pretending to be younger. My Mexican Bretzel is a cracker — the winner of the Found Footage Award in Rotterdam last year, on a par with Sarah Polley’s stunning Stories We Tell.

Since 2011, Camera Catalonia has been an important and popular strand of the Cambridge Film Festival, presenting the interesting and creative work from new and experienced directors.  AMPLIFY! Includes a great selection of new films from Catalonia such as UK premiers of  La inocència (The innocence) , Keith Haring 1989 Barcelona & My Mexican Bretzel.

Six short programmes will be free to view, including the prestigious IMDb Awards from FilmBath, Cornwall’s International short programme & South West best regional shorts, as well as CINECITY’s New Voices — regional shorts made by 16 to 25-year-olds, supported by Screen and Film School Brighton. The UK Premiere of I Still Breathe by London-based filmmaker Alfred George Bailey’s response to the death of George Floyd with score from composer Nicky Brown and Academy Award-winning sound designer John Warhurst.

The Young People’s Jury Programme seeks to nurture visual literacy, criticism & decision making in the next generation and will culminate in the Young People’s Jury Prize awarded to one of the eight nominated features in competition.

As well as the diverse programme of feature and short films, AMPLIFY! will also deliver a range of director Q&As, workshops, and network events. 

Industry focused events include a BFI NETWORK breakthrough filmmaker event, a casting panel hosted by Backstage, a LIM (Less Is More) script development talk supported by Creative Europe.  A round table event ‘Distribution in uncertain times’ with Charles Gant. Q&A with German director-producer Jens Meurer for the UK Premiere of An Impossible Project hosted by Bill Lawrence, former Creative Director at Showroom Cinema, and Head of Film at the National Museum of Photography. Filmmaker networking events. 

AMPLIFY! Film Festival has received praise from across the UK film festival community. Among others, London Film Festival Director Tricia Tuttle offered her support:

AMPLIFY! is a fantastic initiative by some of the country’s top regional film festivals. We’ve all been keeping in close contact over the last months, sharing information on the challenges and strategies for planning film festivals in a pandemic. These festivals do such important work in getting independent films to audiences, championing underrepresented voices — films from female and LGBQI+ filmmakers, film and filmmakers from around the world and from diverse backgrounds. This year has seen so much great collaboration between festivals and it’s an absolute pleasure to see them combining forces for the good of audiences and filmmakers. I will be settling down after my own festival to watch some great work on the AMPLIFY! platform.

The teams behind the four AMPLIFY! partner festivals are excited to be collaborating on such an innovative project. 

Holly Tarquini & Philip Raby, the co-directors of FilmBath, stated:

The COVID crisis has threatened all of our organisations, so it’s an absolute joy to be able to work together and put on such a juicy online festival — with tons of Q&As and special events.” Tim Brown from Cinecity Brighton added, “Working with new partners in a completely new way is the best response to events and an exciting way to take audiences on new adventures in world cinema.

Director of Cornwall Film Festival, Louise Fox believes AMPLIFY! will be a celebration.

The joy of film sits at the heart of this year’s celebratory festival programme, a great example of how we can come together whilst being apart to be engaged and inspire our local and national audiences.”

And while Cambridge Film Festival’s 40th edition may be on hold, Tony Jones & Matthew Webb from Cambridge Film Trust are confident AMPLIFY! can more than fill the void, stating:

2020 would have marked the 40th Cambridge Film Festival and it is only right that during these times we are working, side by side, with our friends FilmBath, Brighton CINECITY, Cornwall Film Festival to offer an exciting film experience for you all. We hope to see you at AMPLIFY!

THE FULL PROGRAMME, AND BOOKINGS ARE AVAILABLE VIA WWW.AMPLIFYFILM.ORG.UK AND THE FOUR PARTNER WEBSITES NOW.

AMPLIFY! WILL BE AVAILABLE TO STREAM FROM 6–22 NOVEMBER

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1
Iris Prize LGBT+ Festival Announces 2020 Winners

Short Calf Muscle, directed by Victoria Warmerdam, has been announced the winner of the Iris Prize 2020, Cardiff’s International LGBT+ Short Film Prize, supported by The Michael Bishop Foundation. This was the first time in the festival’s 14-year history that a film from the Netherlands has won. The £30,000 prize enables Victoria to make a new short film in Wales, becoming the thirteenth Iris production.  Better, directed by Michael J. Ferns, wins Best British Award.

The winners of all Awards categories were announced at a special awards ceremony on Saturday night marking the successful end to the unique virtual festival that has attracted a UK wide audience to watching film screenings and talks online for free, which included the UK premiere on opening night of Lloyd Eyre-Morgan and Neil Ely’s S.A.M.

The awards show included performances by Welsh singer Casi Wyn and pop legend Heather Small.

THE WINNERS 

IRIS PRIZE

The international winner of Iris Prize is Victoria Warmerdam for SHORT CALF MUSCLE from the Netherlands.

Philip Guttman, from the Iris Prize jury says,

Short Calf Muscle captures a universal sense of being misunderstood in an hilarious yet absurd comic tone, setting it apart in a class of its own. Piquant dialogue, accomplished storytelling and tongue in cheek acting are distilled into a potent black comedy, where Anders, a gay man, suddenly finds himself labelled to be a “gnome” by everyone around him, harkening to our own society that all too often misgenders or misidentifies others. Filmmaker Victoria Warmerdam masterfully tackles themes of prejudice and societal authoritarianism, captured through an impeccable Stepford style lens which contrasts the loss of control in a world gone mad. Ms. Warmerdam reveals herself to be a singular, exciting and rising comedy director.

The film was the chosen nomination of Iris partner festival Roze Filmdagen; Amsterdam LGBTQ Film Festival. Werner Borkes, the festival’s Director, said of Victoria’s win,

as a festival we are already extremely honored that we have been a nominating festival for years, but we are all the more proud that our nominee actually takes the prize home. (Eight times is a charm). It is great to see how very ‘Dutch’ the film is in tone and style, but still connects with an international audience through its original but still universal relatable story about whether or not to be different.

The shortlisted finalists also included Runner Up Victoria, as well as Boys ac On My Way.

Of Victoria, jury members and previous Iris Prize winners Lara Zeidan and Sarah Smith say,

A brilliant setting for a simple and touching story perfectly contained within one scene. The shifting of perspectives deftly executed in the writing and directing gives voice to both characters’ complicated emotions. The performances, the pacing, the compositions, the colour palette, and the use of the Victoria Amazónica as metaphor, all work in harmony leading towards a beautifully poetic ending, and demonstrate a remarkable command of the craft of filmmaking.

Of Boys, Mikael Bundsen and Philip Guttman, say,

In Banim (Boys), filmmaker Lior Soroka, draws us into an aching coming of age story depicting one teen’s fight for independence and his mother’s struggle to let go, while simultaneously evoking questions about gender norms in contemporary society. With its riveting performances, the striking complexity in the character’s relationships, and for what is left unsaid, but deeply felt, Soroka has captured our hearts and our imaginations.

Of On My Way, Mikael Bundsen says, “Filmmaker Sonam Larcin crafts an intimate story potent with questions to reflect on long after the film’s running time. Complex characters navigating the conditions of a vulnerable migrant to a clandestine gay relationship teetering on the edge are masterfully brought to life by a stellar cast. It’s beautiful, accomplished and it leaves us passionate to see more”.

BEST BRITISH AWARD

The winner of Best of British short films is Scottish-born Michael J. Ferns for BETTER. The other films that made the final shortlist are Runner Up Queens, as well as The Passing ac Wings.

Tim Highsted, Senior Editor, Acquired Feature Films for Film4, who chaired the jury for Best British Short, commented:

The quality and range of this year’s Best British Short film contenders has been excellent – so much so that the jury was spoiled in having to choose a winner. Michael J Fern’s short film Better was distinctive for its quietly controlled and beautifully orchestrated examination of gender as a young mother tries to cope with the bullying of her young son at school. Our other shortlisted titles, Queens, The Passing and Wings raised the bar in their unique portrayals and studies of LGBT+ lives and stories.

Additionally, cementing the first of a three-year sponsorship deal with Film4, all 15 films in Best British programmes will be available for free streaming on All 4 from 11th October.

INTERNATIONAL FEATURE FILM AWARDS

Best Performance in a Male Role in a Feature Film, sponsored by Attitude, was awarded to Leandro Faria Lelo from DRY WIND, directed by Daniel Nolasco and distributed by TLA Releasing.

Lewis Bayley, chair of Best Feature jury made up of film students from Bournemouth Film School, says,

The award for Best Performance in a Male Role is awarded to Leandro Faria Lelo in Dry Wind, whose compelling performance of sexual desire captivates the audience and explores the intensity of yearning in the monotonous confines of an oppressive system.

He adds,

an honourable mention to Oscar Chiu’s performance in The Teacher, where his gentle and tender performance exposes the audience to the realities of life in Taiwan as a queer teacher through his vulnerability, and spark that commands attention to this quiet protagonist.

Best Performance in a Female Role in a Feature Film, sponsored by Diva, was awarded to Lena Urzendowsy for COCOON. The winner was announced pop legend Heather Small.

Of Lena’s performance, Lewis says,

The award for Best Performance in a Female role goes to Lena Urzendowsky. Lena’s honest and raw portrayal of Nora in Cocoon captures a teenager in a time of self-discovery, complicated by the dramas and vices of those closest to her. In this beautiful coming-of-age story, Lena holds the attention in each frame she appears with quiet nuance and vulnerability.

“The jury would also like to draw attention to recognise the performance of Alexandra Grey in Gossamer Folds, whose warmth and determination to live authentically serve as a beacon of hope in a film where so many characters exist in a state of such uncertainty. Although the film is based in 1986, the relevance to the world today are particularly poignant and a reminder of work yet to be done, and Alexandra’s performance is nothing short of essential.

The Best International Feature Film Award, sponsored by Bad Wolf, is won by COCOON, directed by Leonie Krippendorff and is distributed in UK by Peccadillo Pictures.

Of Cocoon, Lewis Bayley says,

The winning film is an honest and open coming of age story, addressing its lead’s sexuality with delicacy and heart that speaks directly to personal experiences. The innocence of self-discovery, in the midst of the complexities of the lives of those around us are explored with nuance and authenticity. The supporting visages are dreamlike, relatable and beautifully rendered.

YOUTH JURY

The winner of the Youth Jury Award is WINGS from UK director Jamie Weston, and the runner-up is Luca Padrini’s When In Rome (Paese Che Vai).

The four short-listed films, chosen from 35 nominees for the main Iris Prize, were Wings, My God I’m Queer, When In Rome (Paese Che Vai) and Snake, which had been specially programmed by a group of young people from Into Film and Pride Cymru and then voted for by young people from schools across Wales.

AUDIENCE AWARD

One of the additional innovations for this year is the introduction of the Co-op Audience Award, the natural next step in the strong relationship with the Iris Prize, started by Co-op Respect. This year Co-op shoppers will be encouraged to watch the 35 short films – and vote for their favourite.

Those who votes will be eligible to win a trip to attend the 2021 Iris Prize LGBT+ Film Festival in Cardiff, the prize will include train travel within the UK, hotel accommodation and a full VIP Pass for two people. Other prizes include luxury Co-op Hampers, just in time for Christmas! When can I vote? Voting for the Co-op Audience Award opens on Wednesday 7 October and closes on Saturday 31 October 2020.

Lord Glendonbrook said during his address:

The Iris Prize continues to be the world’s largest short film prize and I’m delighted that through The Michael Bishop Foundation we have been able to support the winners, to create new short films. These Iris Productions are wonderful opportunities for the film makers to be given the freedom to share our stories to a world that sometimes ignore us and sometimes hate us.

Andrew Pierce, Iris Prize Chair says “Against the odds, film makers, sponsors and our UK audience have come together this week to celebrate our stories through film. As David Llewellyn mentioned duringIris Live!,“We may be watching these films in separate rooms, but we’re still watching them together.”

The main festival sponsors are: The Michael Bishop Foundation, Welsh Government, the BFI awarding funds from the National Lottery, Ffilm Cymru Wales, Film 4, University of South Wales, Co-op Respect, Bad Wolf, Gorilla Group, Peccadillo Pictures, Pinewood Studios, Attitude Magazine, Diva Magazine and The Ministry of Sound.

Mae'r ŵyl hefyd yn gweithio mewn partneriaeth â BAFTA Cymru, Pride Cymru a Stonewall Cymru.

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